Culture

You’re wrong, Aworis are Lagos’ first settlers, Lagos monarch counters Oba of Benin

Published

3 years ago

November 30, 2023

The Olofin of Isheri and Adimula of Awori Kingdom, Oba Sulaimon Bamgbade, on Thursday said the Aworis were the first settlers in Lagos.

Bamgbade urged the Oba of Benin, Oba Ewuare II, to retrace the origin of the Benin Kingdom to Ile Ife, like the Aworis have always done.

This is coming in response to a recent comment by Oba Ewuare II, who traced the origin of Lagos to the Benis.

Freelanews reports that the monarch’s comment has elicited opposition from a prominent Awori monarch, the Olota of Ota, Oba Adeyemi Obalanlege; some academics and a Lagos chief, among others.

Oba Ewuare II sparked controversy among Nigerians especially on social media during a visit to the Lagos State Governor, Babajide Sanwo-Olu, on Sunday, when the king said the Binis founded Lagos.

“It is in the history books that the Binis founded Lagos. When some people will hear it now, they will go haywire; what is the Oba saying there again? But it is true. Go and check the records. Maybe not all over Lagos as we know it now but certain areas in Lagos, maybe the nucleus of Lagos, were founded by my ancestors. The Oba of Lagos will say so,” Oba Ewuare said.

But reacting to the comment in a statement on Thursday, the Olofin said contrary to Oba Ewuare’s claim, Lagos was founded and established by Olofin Ogunfuminire, the progenitor of the Awori people.

He said, “Olofin Ogunfuminire left Ile-Ife to settle at Isheri before migrating with his wife, Ajaiye, to present-day Iddo in the heart of Lagos. It was at Iddo that Ajaiye was blessed with the fruits of the womb. Her offspring are the Idejo who are the actual traditional landowners of Lagos.

“The spatial region of the land owned by the Idejo spans from Lagos Mainland (Iddo) to Lagos Island and up to Eti-Osa which he allocated absolutely to his children and other descendants.

“In this regard, he assigned Iru to the Oniru, Ikate to the Elegushi, Lagos Island to Aromire, Iganmu to Ojora, Otto, and mainland to the Oloto (up to Odo–Iya Alaro). Isheri was the dispersal point where other Olofin Ogunfunminire descendants left to found other Awori towns. For instance, Akeredun left Isheri to establish Igbesa, Odoyi left Isheri to find Agboyi, Osolo and Eleidi Atalabi left Isheri to find Ota.

“These facts are firmly established and supported by extant literature written by foreign authors and researchers such as Kristin Mann who in his book titled ‘Slavery and Birth of an African City: Lagos 1760- 1900,” wrote and I quote: ‘Migrant fishing people first settled in Lagos and from the beginning water and canoes had a prominent role in the lives of its inhabitants. Prior to the sixteenth century, Aworis, the southernmost of the Yoruba-speaking people, dispersed from Isheri, a village twelve miles up the Ogun River. A group of them settled at what is now Ebute Metta, on the mainland.

“Until the need for greater security drove the community to a smaller island in the lagoon opposite Lagos Island. There, they established two settlements, Otto and Iddo, and soon attracted fresh immigrants. In time, people from Iddo moved to the northwestern corner of the larger Island opposite, which eventually became known as Lagos, looking for land to farm.

“The settlers recognised the paramount ruler called the Olofin, based in the more populous community of Iddo but tracing mythical descent from Isheri and via the founder of that village to Ile-ife, the cradle of Yoruba civilisation.”

Olofin added, “The Benin who later came to Lagos as mere traders met Olofin and his descendants on the island of Iddo and its neighbourhood where they, Benin settled down and were well received and hosted by the community. As time went by, a feud broke out between the Benin and their hosts. Facing imminent defeat, they called for reinforcements and assistance from the Oba of Benin.

“Olofin Ogunfunminire and his mentees vehemently and successfully repelled these attacks. As a compromise, and as part of the tolerant disposition which is the character of the typical Awori, the Benins were eventually relocated to live with Aromire on his pepper farm on Lagos Island at Iga Idungaran (Idungaran in Awori means pepper farm) where they after a while and probably due to the indifference of the original land owner, introduced a more structured organisation.

“The first settlers in present Lagos are Aworis and the dispersal point of Aworis is Isheri. As the Olofin of Isheri and Adimula of Awori Kingdoms, I implore The Oba of Benin to retrace the origin of the Benin Kingdom to Ile Ife, like the Aworis have always done.”

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Culture

OLOJO….Ile Ife’s September Gift To Culture

Published

52 minutes ago

October 5, 2026

Mariam Balogun

By Halima Adaba,

It was a featubal if the people. It was for the anciebt town of Ile Ife, which the Yoruba race refards as the Source.

Also read: Olojo Festival 2026: Ooni Urges Leaders to Prioritise Citizens

And ut was a festivsl for the King, Arole Oduduwa, Oonirisa, Adeyeye Enitan Ogunwusi, Ojaja II.

And so between September 24 and 28th 2026, the annual featuval dazzjed in all its white glory.

Tge Monarch paid the traditional ancestral homage and offered propitiation as part of the sacred rites of the Olojo Festival.
It was a powerful expression of Yoruba heritage, spirituality, and enduring tradition.

Call it a collection of beautiful moments, faces, colours and cultural expressions.

Every frame tells a story.

Every face carries the energy.

Every moment keeps the heritage alive.

Undoubtedly one of the most sacred cultural celebrations in Ilé-Ifẹ̀. It marked a day associated with creation, thanksgiving, ancestral heritage, and the sacred appearance of the Ooni of Ife wearing the revered Aàrẹ crown.

There were also the devotees of the famed god of thunder – Sàngó who were hardly conspicuous at the festival.

Many other traditional groups came out with candor, showing a powerful expression of Yoruba cultural identity, spiritual devotion, and respect for the ancient traditions of Ilé-Ifẹ̀.

Devotees of Sàngó bekieved the ‘appearance’ of the god of thunder on Seotember 26th could be understood as a symbolic meeting of ancestral heritage, spiritual devotion, and the celebration of creation.

It was a moment when the sounds of drums, chants, and traditional praise poetry brought the history of the Yoruba people to life.

Although Olojo is closely associated with Ogun, the god of iron, and the sacred traditions of Ile-Ife, the presence of Sàngó devotees reflected the rich diversity of Yoruba spiritual heritage.

Also read: Olojo Festival 2026: Ooni Urges Leaders to Prioritise Citizens

As a participant enthused at the festival, “To witness Sàngó Olúkòso emerge on Olojo Festival day is to witness a living expression of history, identity, and ancestral pride.”

Culture

WAKE UP! Art Exhibition Returns for a Second Act

Published

1 month ago

August 27, 2026

Mariam Balogun

The contemporary art and photography exhibition “Wake Up!” is back again for a second edition.

Curated by Awele Onwordi, Wake Up! 2 exhibition pays homage to the Nigerian youth and burgeoning street culture which many of its contributing artists reference in their works.

Also read: Five rising stars battle for 2026 Headies Next Rated

Titled “Young, Wild, Free”, the exhibition celebrates the creativity, resilience, freedom and cultural influence found in Nigerian youth.

Taking aim at societal issues and economic concerns, the exhibit reflects the youth and their refusal to compromise or bow despite all the challenges stacked against them while charting youth culture through art, music, fashion, skateboarding, photography and community.

The exhibition will be held, once again, at the Angel and Muse Gallery at 25 Sumbo Jibowu street off Ribadu Road off Awolowo Road in Ikoyi.

It will open on Saturday 5 September 2026 and will run until 11 September 2026
This second edition which focuses on celebrating, nurturing and exploring artistic practices rooted in youth and street culture will feature works from DENCITY and SUPERGLIDER HOUSE.

Exhibiting artists include Ajilore Kehinde – their work is deeply influenced by Nigerian street culture and works of other artists like Slawn, Peters Ejiro, etc, Chuka Onwordi – graphic designer who embodies themes of death, melancholy and beauty in his works, ZIDYEP – Abuja based creative whose works move between digital and physical spaces through art, graphic design and air brushing , Franklyn Okoye – graphic designer and artist whose works explore themes of identity and hyper-reality, Awele Onwordi – founder & curator of WAKE UP and multidisciplinary artist whose practice spans character art, creative logo design, album covers and more , Oluchi Kogolo – digital illustrator whose work explores street culture, personality and storytelling through a raw and playful visual style and Kozetuo Apeji – multidisciplinary artists who work explores experimental approaches to problem solving through both digital and traditional art forms.

Commenting on the exhibition in her curatorial statement, Awele noted that “despite economic instability, limited opportunities and socio-political challenges, Nigerian youth continue to shape culture through music, fashion, art, skateboarding, raves, photography and community.”

Also read: Five rising stars battle for 2026 Headies Next Rated

Continuing and harping on the raison d’etre of the exhibition she said, “Young, Wild and Free exists to celebrate Nigerian youth while also creating a platform that supports and amplifies them.”