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World Egungun Festival 2026 Opens With Scholarly Symposium in Ibadan

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World Egungun Festival 2026

World Egungun Festival Ibadan 2026 begins with a symposium on cultural heritage, tradition, and creative economy ahead of a grand finale in Oyo State

he World Egungun Festival in Ibadan, Oyo State, officially opened its third edition on Friday, May 1, 2026, with a scholarly symposium aimed at deepening conversations around Yoruba heritage, cultural preservation, and the creative economy.

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The event, re-launched in 2024 as a major international cultural platform, continues to position Ibadan as a centre for indigenous cultural tourism and academic engagement.

The symposium, held at the Local Government Service Commission Building, Secretariat, Agodi, Ibadan, began at 10:00 a.m. and brought together academics, cultural experts, and practitioners.

With the theme “The Creative Economy of Egungun: Tradition, Tension and Transformation,” the session focused on how Egungun traditions are evolving amid globalisation and digital innovation.

Over ten presentations were delivered by scholars from the Institute of African Studies, University of Ibadan, and The Sahara Centre, examining the intersection of culture, identity, and modern creative industries.

Discussions also explored how traditional masquerade practices can be sustained while adapting to contemporary economic and technological realities.

Organisers described the opening session as a critical intellectual foundation for the wider festival activities, noting that it sets the tone for cultural reflection and policy dialogue.

Attention now shifts to the grand finale scheduled for Saturday, May 2, 2026, at the Liberty Stadium, also known as Lekan Salami Stadium, in Ibadan.

The finale is expected to feature over 150 Egungun masquerades from Nigeria and the diaspora, including participants from Brazil, alongside more than 120 cultural groups.

Highlights will include the unveiling of a new Cultural Anthem for Oyo State, performances by Fuji musicians such as Saheed Osupa and Taye Currency, and a showcase of traditional cuisine including an Amala Fiesta.

Organisers say the festival will also feature Nollywood appearances and a vibrant display of Yoruba cultural identity described as both spectacular and symbolic.

Security arrangements have been intensified, with over 2,000 personnel drawn from the police, DSS, and Amotekun Corps deployed to ensure a peaceful celebration.

Attendance is expected to exceed 18,000 participants, including diplomats and traditional rulers such as the Olubadan of Ibadanland.

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Transportation support has also been arranged through a partnership with Pacesetter Transport Services to manage logistics for guests and performers.

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Entertainment

Chinazaekpere Chukwu’s ‘Her Daughters’ Mother’ Heads to London Festival

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‘Her Daughters’ Mother’
Her Daughters’ Mother, Chinazaekpere Chukwu’s feature directorial debut, has been selected for Film Africa 2026 in London

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Culture

OLOJO….Ile Ife’s September Gift To Culture

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OLOJO

By Halima Adaba,

 

It was a featubal if the people. It was for the anciebt town of Ile Ife, which the Yoruba race refards as the Source.

Also read: Olojo Festival 2026: Ooni Urges Leaders to Prioritise Citizens

And ut was a festivsl for the King, Arole Oduduwa, Oonirisa, Adeyeye Enitan Ogunwusi, Ojaja II.

And so between September 24 and 28th 2026, the annual featuval dazzjed in all its white glory.

Tge Monarch paid the traditional ancestral homage and offered propitiation as part of the sacred rites of the Olojo Festival.
It was a powerful expression of Yoruba heritage, spirituality, and enduring tradition.

Call it a collection of beautiful moments, faces, colours and cultural expressions.

Every frame tells a story.

Every face carries the energy.

Every moment keeps the heritage alive.

Undoubtedly one of the most sacred cultural celebrations in Ilé-Ifẹ̀. It marked a day associated with creation, thanksgiving, ancestral heritage, and the sacred appearance of the Ooni of Ife wearing the revered Aàrẹ crown.

There were also the devotees of the famed god of thunder – Sàngó who were hardly conspicuous at the festival.

Many other traditional groups came out with candor, showing a powerful expression of Yoruba cultural identity, spiritual devotion, and respect for the ancient traditions of Ilé-Ifẹ̀.

Devotees of Sàngó bekieved the ‘appearance’ of the god of thunder on Seotember 26th could be understood as a symbolic meeting of ancestral heritage, spiritual devotion, and the celebration of creation.

It was a moment when the sounds of drums, chants, and traditional praise poetry brought the history of the Yoruba people to life.

Although Olojo is closely associated with Ogun, the god of iron, and the sacred traditions of Ile-Ife, the presence of Sàngó devotees reflected the rich diversity of Yoruba spiritual heritage.

Also read: Olojo Festival 2026: Ooni Urges Leaders to Prioritise Citizens

As a participant enthused at the festival, “To witness Sàngó Olúkòso emerge on Olojo Festival day is to witness a living expression of history, identity, and ancestral pride.”

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Festivals

Olojo Festival 2026: Ooni Urges Leaders to Prioritise Citizens

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Olojo Festival 2026

Olojo Festival 2026: Ooni Adeyeye Ogunwusi urges Nigerian leaders to prioritise citizens’ welfare, unity and national development (more…)

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