Culture
Royal tensions mount in Ilesha over Owa Obokun succession
Published
2 years agoon
By
Lanre
A royal battle intensifies in Ilesha as the Osun State government faces legal challenges over the selection of Prince Clement Haastrup as the Owa Obokun
A significant crisis is currently unfolding in Ilesha, Osun State, as a royal dispute threatens the region’s peace and stability.
Also read: No going back on Ilesha university, Gov Adeleke assures Ijesha people
The ongoing contest for the Owa Obokun throne, following the death of Oba Gabriel Adekunle Aromolaran, has sparked intense legal and political battles, particularly surrounding the selection of Prince Clement Adesuyi Haastrup as the 40th Owa Obokun of Ijesa Land.
The controversy erupted after the Bilaro Oluodo Ruling House selected Prince Clement Haastrup as their candidate for the throne.
Haastrup, a former deputy governor of Osun State, served under the late Governor Isiaka Adeleke, and his candidacy has met with fierce resistance from the Ofokutu Royal Family, who are contesting his appointment in the courts.
The Ofokutu family filed a suit seeking to halt his installation, accusing the Osun State Government of undue interference in the traditional succession process.
The Selection Process and Legal Battles
The succession of the Owa Obokun traditionally falls to the Ijesa kingmakers, known as the ‘Agba Ijesas’, who are tasked with selecting the new ruler from qualified royal families.
The Bilaro Oluodo Royal Clan, which includes four ruling houses—Ofokutu, Ajimoko (Haastrup family), Fajemisin, and Arimoro—was entrusted with the selection of the next monarch. Each of these ruling houses presented their candidates, and ten princes participated in the selection process.
Initially, the procedure appeared to be progressing smoothly until December 2024, when the Osun State Government allegedly interfered, prompting the Ofokutu Royal Family to approach the High Court for legal intervention.
The court ruled in favour of the Ofokutu family, ordering the state government to cease its involvement in the selection process.
Despite the court ruling, the Ilesha West Local Government, reportedly acting on directives from the state government, summoned five of the thirteen kingmakers loyal to the current administration.
These five kingmakers were instructed to conduct an election in secret, leading to the selection of Prince Haastrup as the new Owa Obokun.
This move has raised alarm among the remaining eight kingmakers, who argue that they were unfairly excluded from the electoral process.
Historical Context and the Role of the Haastrup Family
The Haastrup family has historically been involved in the Owa Obokun succession, though not without controversy.
The family’s rise to prominence in Ijesa royal history dates back to 1896 when the Haastrup family, initially from a background of slavery, was elevated to the throne as a reward for their role in the Ijesha and Ekiti Parapo war.
Critics argue that this history reflects a pattern of the family leveraging political influence and wealth to secure the throne, despite not being traditionally entitled to it.
In 1946, the Haastrup family ascended the throne once again, and now, in 2024, they are once again pushing for the third installation of a member of their family as the Owa Obokun.
This has sparked outrage among other royal families, including the Ofokutu, Arimoro, and Fajemisin families, who argue that the selection process has been manipulated to favour the Haastrups, undermining the traditional balance of power among the royal houses.
Ongoing Legal Disputes
The legal battle has intensified, with the Ofokutu family questioning the legitimacy of the state government’s actions. In January 2025, the family’s legal team pointed out discrepancies in the timing of court rulings and the state’s alleged disregard for judicial procedures.
On January 14, 2025, the Ofokutu family’s lawyers petitioned for the judge overseeing the case to recuse himself, citing potential bias, with further hearings scheduled for March 2025.
The legal dispute has caused significant unrest in Ilesha, with royal stakeholders calling for a resolution that honours the traditional processes and ensures fairness.
The seven disqualified kingmakers have rejected the selection of Prince Haastrup and are pushing for a more transparent and inclusive process.
Conclusion
The succession crisis in Ilesha underscores deep-rooted tensions in the region’s traditional leadership. As legal challenges continue and political interference is called into question, the future of the Owa Obokun throne remains uncertain.
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Curated by Awele Onwordi, Wake Up! 2 exhibition pays homage to the Nigerian youth and burgeoning street culture which many of its contributing artists reference in their works.
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Titled “Young, Wild, Free”, the exhibition celebrates the creativity, resilience, freedom and cultural influence found in Nigerian youth.
Taking aim at societal issues and economic concerns, the exhibit reflects the youth and their refusal to compromise or bow despite all the challenges stacked against them while charting youth culture through art, music, fashion, skateboarding, photography and community.
The exhibition will be held, once again, at the Angel and Muse Gallery at 25 Sumbo Jibowu street off Ribadu Road off Awolowo Road in Ikoyi.
It will open on Saturday 5 September 2026 and will run until 11 September 2026
This second edition which focuses on celebrating, nurturing and exploring artistic practices rooted in youth and street culture will feature works from DENCITY and SUPERGLIDER HOUSE.
Exhibiting artists include Ajilore Kehinde – their work is deeply influenced by Nigerian street culture and works of other artists like Slawn, Peters Ejiro, etc, Chuka Onwordi – graphic designer who embodies themes of death, melancholy and beauty in his works, ZIDYEP – Abuja based creative whose works move between digital and physical spaces through art, graphic design and air brushing , Franklyn Okoye – graphic designer and artist whose works explore themes of identity and hyper-reality, Awele Onwordi – founder & curator of WAKE UP and multidisciplinary artist whose practice spans character art, creative logo design, album covers and more , Oluchi Kogolo – digital illustrator whose work explores street culture, personality and storytelling through a raw and playful visual style and Kozetuo Apeji – multidisciplinary artists who work explores experimental approaches to problem solving through both digital and traditional art forms.

Commenting on the exhibition in her curatorial statement, Awele noted that “despite economic instability, limited opportunities and socio-political challenges, Nigerian youth continue to shape culture through music, fashion, art, skateboarding, raves, photography and community.”
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Continuing and harping on the raison d’etre of the exhibition she said, “Young, Wild and Free exists to celebrate Nigerian youth while also creating a platform that supports and amplifies them.”
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