Culture
Nigeria’s national policy on culture nears final review after 37 years
Published
1 year agoon
By
akonitv
Nigeria’s National Policy on Culture is in its final review stage, 37 years after its last update, aimed at aligning with global creative economy trends
Nigeria’s Minister of Art, Culture, Tourism, and Creative Economy, Hannatu Musawa, has announced that the review of the country’s National Policy on Culture is at its final stage, marking a significant milestone 37 years after the last update.
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The policy has long remained in draft form since its last review in 1988, despite its critical role in shaping Nigeria’s cultural and creative industries.
In a statement released on Friday in Abuja, Musawa revealed that the review process, which began in collaboration with the Nigerian Economic Summit Group (NESG) and the United Nations Educational, Scientific and Cultural Organization (UNESCO), is now nearing completion.
The document was last updated in 1988, but the evolving cultural landscape and the rapid growth of Nigeria’s creative economy have prompted the need for a new framework to guide future development.
A Cultural Policy Drafting Committee, which was inaugurated in July 2024, consists of over 100 members divided into sub-groups tasked with researching, developing, and refining the policy framework.
After successfully completing a virtual drafting process in December 2024, the committee moved to a physical drafting exercise to consolidate and refine the document, ensuring it aligns with contemporary trends in the global cultural and creative economy.
Musawa emphasized that the final stage of the process involves stakeholder engagement and validation, after which the policy will be submitted to the Federal Executive Council (FEC) for approval.
“In recognition of the urgency of these reforms, the ministry initiated this comprehensive review process to ensure that Nigeria’s cultural framework aligns with global best practices and reflects the evolving creative economy,” Musawa explained.
She added that the policy would address the shift from a creative industry to a creative economy, ensuring the sector’s growth and integration into the broader economic framework.
The review process is part of President Bola Tinubu’s Renewed Hope Agenda, underscoring the administration’s commitment to advancing cultural development.
Musawa highlighted the importance of the policy as a legal framework that will guide the preservation, promotion, and development of Nigeria’s cultural heritage.
Musawa also acknowledged the contributions of the NESG and UNESCO in facilitating a structured and inclusive review process. Through a Memorandum of Understanding (MoU) signed in 2024, NESG provided essential research, technical support, and strategies for stakeholder engagement, ensuring that the policy meets national and international standards.
UNESCO’s technical assistance has played a crucial role, offering workshops, expert guidance, and training to ensure that the revised policy aligns with global best practices and supports the growth of Nigeria’s creative economy.
Ikenna Nwosu, a facilitator at NESG who participated in the policy drafting process, commended the long-overdue intervention. “For 37 years, this policy remained unchanged despite the rapid transformation of the cultural and creative sectors. Ideally, such policies should be reviewed every five to ten years,” he said.
He further noted that the creative industry has outpaced governance, and the review would help ensure that policies catch up with the sector’s growing economic potential.
Nwosu also praised the leadership of Minister Musawa in driving the review, stating that it would reposition Nigeria’s cultural sector as a key contributor to the country’s GDP, ensuring that the creative economy is harnessed for national growth.
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The contemporary art and photography exhibition “Wake Up!” is back again for a second edition.
Curated by Awele Onwordi, Wake Up! 2 exhibition pays homage to the Nigerian youth and burgeoning street culture which many of its contributing artists reference in their works.
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Titled “Young, Wild, Free”, the exhibition celebrates the creativity, resilience, freedom and cultural influence found in Nigerian youth.
Taking aim at societal issues and economic concerns, the exhibit reflects the youth and their refusal to compromise or bow despite all the challenges stacked against them while charting youth culture through art, music, fashion, skateboarding, photography and community.
The exhibition will be held, once again, at the Angel and Muse Gallery at 25 Sumbo Jibowu street off Ribadu Road off Awolowo Road in Ikoyi.
It will open on Saturday 5 September 2026 and will run until 11 September 2026
This second edition which focuses on celebrating, nurturing and exploring artistic practices rooted in youth and street culture will feature works from DENCITY and SUPERGLIDER HOUSE.
Exhibiting artists include Ajilore Kehinde – their work is deeply influenced by Nigerian street culture and works of other artists like Slawn, Peters Ejiro, etc, Chuka Onwordi – graphic designer who embodies themes of death, melancholy and beauty in his works, ZIDYEP – Abuja based creative whose works move between digital and physical spaces through art, graphic design and air brushing , Franklyn Okoye – graphic designer and artist whose works explore themes of identity and hyper-reality, Awele Onwordi – founder & curator of WAKE UP and multidisciplinary artist whose practice spans character art, creative logo design, album covers and more , Oluchi Kogolo – digital illustrator whose work explores street culture, personality and storytelling through a raw and playful visual style and Kozetuo Apeji – multidisciplinary artists who work explores experimental approaches to problem solving through both digital and traditional art forms.

Commenting on the exhibition in her curatorial statement, Awele noted that “despite economic instability, limited opportunities and socio-political challenges, Nigerian youth continue to shape culture through music, fashion, art, skateboarding, raves, photography and community.”
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Continuing and harping on the raison d’etre of the exhibition she said, “Young, Wild and Free exists to celebrate Nigerian youth while also creating a platform that supports and amplifies them.”
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