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Asaba Cultural Heritage Honoured in Emotional Igba Mkpisi Celebration

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Asaba cultural heritage

Asaba cultural heritage celebrated as HRM Prof Epiphany Azinge leads emotional Igba Mkpisi ceremony with over 8000 participants united in Delta State


Asaba cultural heritage was proudly celebrated as the Igba Mkpisi ceremony returned in full grandeur under the leadership of the traditional ruler, His Royal Majesty, Professor Epiphany Azinge (SAN).

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The event, held at the Ogwa-Ukwu Ahaba in Delta State’s capital, was described by the monarch as both “symbolic” and “memorable”.

The 14th Asagba of Asaba, Azinge emphasised the deep significance of Igba Mkpisi, a rite for every male child of Asaba origin. Participation is mandatory for any son hoping to earn the revered Alor title, but this can only be pursued after the passing of one’s father.

“I am delighted that the ceremony was successfully celebrated within eight months of my ascending the throne,” the Asagba stated. “It is the first step towards ensuring that every Asaba son is rooted in the tradition of the community.”

He explained that Igba Mkpisi once served as a vital identity marker during the slave trade era. Individuals who fulfilled the rites were spared from being sold into slavery. Even today, its symbolic value endures as a rite of belonging and pride among the people.

Thousands of young men and children turned out in celebration, marking the return of an event last held in 1996. Each of the Asaba villages — Umuezei, Umuaji, Ugbomanta, Umuonaje and Umuagu — hosted their parts of the festival.

Over eight thousand celebrants were officially registered, with the climax being the homage paid to the monarch at Ogwa-Ukwu Ahaba.

Azinge praised the unity displayed throughout the festivities, describing it as a powerful expression of harmony and solidarity among the people of Asaba.

“Asaba people believe in what I can do for them,” he said. “It challenges me more to strive and see what I can do to lift this town to the next level.”

The Igba Mkpisi celebration has historically occurred once every forty years. However, in a bid to foster deeper participation by the younger generation, the Asagba-in-Council resolved to revise the cycle to every ten years.

This adaptation was welcomed by the community. It is seen as a progressive step towards maintaining cultural relevance while allowing more individuals to partake in a rite that bridges heritage and generational transition.

The monarch acknowledged the support of high-ranking traditional chiefs, including the Olinzeles, and appreciated the presence of dignitaries such as the member of the House of Representatives and other notable political figures.

He described the celebration as “a vote of confidence” in his young reign, adding that it would serve as inspiration to continue promoting Asaba cultural heritage.

“By the grace of God, it was a wonderful exercise. We thank God for it and congratulate all the numerous people that participated,” Azinge said.

He reiterated his commitment to sustaining cultural practices that define the essence of Asaba identity, expressing hope that his reign would usher in development, unity and positive transformation for his people.

The event was not only a cultural revival but also a moment of joy and festivity for the community. Children danced in colourful attires while elders watched with pride.

The excitement that rippled across the town demonstrated a profound appreciation for tradition and a desire to preserve it for generations to come.

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With Azinge’s leadership already earning respect and admiration, Asaba appears poised to reclaim and elevate its rich traditions. As the Igba Mkpisi rite concludes, the people look ahead to a decade filled with cultural pride, renewed identity and strong community bonds.

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WAKE UP! Art Exhibition Returns for a Second Act

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WAKE UP

The contemporary art and photography exhibition “Wake Up!” is back again for a second edition.

Curated by Awele Onwordi, Wake Up! 2 exhibition pays homage to the Nigerian youth and burgeoning street culture which many of its contributing artists reference in their works.

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Titled “Young, Wild, Free”, the exhibition celebrates the creativity, resilience, freedom and cultural influence found in Nigerian youth.

Taking aim at societal issues and economic concerns, the exhibit reflects the youth and their refusal to compromise or bow despite all the challenges stacked against them while charting youth culture through art, music, fashion, skateboarding, photography and community.

The exhibition will be held, once again, at the Angel and Muse Gallery at 25 Sumbo Jibowu street off Ribadu Road off Awolowo Road in Ikoyi.

It will open on Saturday 5 September 2026 and will run until 11 September 2026
This second edition which focuses on celebrating, nurturing and exploring artistic practices rooted in youth and street culture will feature works from DENCITY and SUPERGLIDER HOUSE.

Exhibiting artists include Ajilore Kehinde – their work is deeply influenced by Nigerian street culture and works of other artists like Slawn, Peters Ejiro, etc, Chuka Onwordi – graphic designer who embodies themes of death, melancholy and beauty in his works, ZIDYEP – Abuja based creative whose works move between digital and physical spaces through art, graphic design and air brushing , Franklyn Okoye – graphic designer and artist whose works explore themes of identity and hyper-reality, Awele Onwordi – founder & curator of WAKE UP and multidisciplinary artist whose practice spans character art, creative logo design, album covers and more , Oluchi Kogolo – digital illustrator whose work explores street culture, personality and storytelling through a raw and playful visual style and Kozetuo Apeji – multidisciplinary artists who work explores experimental approaches to problem solving through both digital and traditional art forms.


Commenting on the exhibition in her curatorial statement, Awele noted that “despite economic instability, limited opportunities and socio-political challenges, Nigerian youth continue to shape culture through music, fashion, art, skateboarding, raves, photography and community.”

Also read: Five rising stars battle for 2026 Headies Next Rated

Continuing and harping on the raison d’etre of the exhibition she said, “Young, Wild and Free exists to celebrate Nigerian youth while also creating a platform that supports and amplifies them.”

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Isese Day 2026: Sotayo Gaga, Farulee Light Up Lagos Festival

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Isese Day

Isese Day 2026 brought colourful Yoruba celebrations to Lagos as Sotayo Gaga and Farulee joined the festivities and attracted attention from fans (more…)

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Oyebanji backs bold cultural growth at Ekiti festival

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Oyebanji

Oyebanji cultural growth plans aim to transform Ekiti’s Udiroko Festival into a major tourism, jobs and investment platform while preserving heritage

(more…)

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