Culture
Ojude Lasu Cultural Festival Dazzles With Fashion, Rich Tradition
Published
1 year agoon
By
akonitv
Lasu cultural festival show dazzled with high fashion, music and rich tradition as students recreated Ojude Oba in grand style to honour culture and unity
The Lasu cultural festival show held in June was a vibrant celebration of heritage, creativity and campus pride.
Also read: Yoruba Culture Preservation Award Honours Olowu in Unforgettable Ceremony
Students of Lagos State University took cultural expression to a new level, recreating the iconic Ojude Oba Festival right on their campus.
Known as ‘Ojude LASU’, the event became a brilliant mirror of one of Nigeria’s most beloved traditional gatherings.
From fashion to music and art, the university community was immersed in a kaleidoscope of colour and culture.
The occasion formed part of LASU’s annual cultural day celebration, but this year, the students elevated the experience with unique flair.
What made the Lasu cultural festival show remarkable was how closely it mimicked the real Ojude Oba festival of Ijebu Ode, a testament to the students’ attention to cultural authenticity.
Although the age-grade parades, known as regberegbe, were absent, the essence of Ojude Oba was powerfully present. Students dressed in elegant traditional attire, with each group representing their academic departments and levels.
Their grand entrance before university officials was not just a visual delight, but a tribute to royal customs and protocol.
The university leadership stood in for traditional rulers, receiving greetings and homage with visible pride.
Spectators were treated to a range of performances that underscored the artistic excellence of LASU’s Creative Arts and Music departments.
Horse riders trotted through the venue in majestic style, while live music blended with cultural dances created a soundtrack for unity and celebration.
This generation is often criticised, but today they showed how deeply they value our heritage. What I saw was not just performance, it was love for culture.
The Lasu cultural festival show radiated the joy of shared identity and respect for Nigeria’s ethnic diversity.
One could sense the level of preparation and passion that went into the occasion.
The costumes were rich, the choreography smooth, and the storytelling vivid. It was more than a festival; it was an embodiment of national spirit within a student space.
The event was inclusive, with students from all backgrounds participating, reflecting the same unity that has made Ojude Oba an annual spectacle of national pride.
Ojude LASU proved that culture, when owned and reinterpreted by the youth, can stay alive and relevant in modern times.
The show also allowed students to showcase their talents in music, design and coordination.
From planning logistics to creating visual concepts and stage design, it was an exercise in leadership and collaboration.
The institution’s cultural reputation gained another feather from the efforts of its students.
One attending lecturer commented, “This generation is often criticised, but today they showed how deeply they value our heritage. What I saw was not just performance, it was love for culture.”
The Lasu cultural festival show has now set a new standard for university-based cultural events.
It proved that traditional festivities can find meaningful expression within academic settings and that the youth are ready to uphold the legacy.
The smiles, dances and respectful gestures seen on that day spoke louder than words.
As LASU continues to invest in cultural engagement and creative talent, events like Ojude LASU will not only entertain but also teach and inspire.
They remind us of our roots while allowing space for future expression.
The Lasu cultural festival show was not just a day of costumes and music. It was a living reminder that culture thrives when passed through generations with pride and innovation.
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It stood as a proud moment for the university and everyone who believes in the beauty of Nigerian traditions.
















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The contemporary art and photography exhibition “Wake Up!” is back again for a second edition.
Curated by Awele Onwordi, Wake Up! 2 exhibition pays homage to the Nigerian youth and burgeoning street culture which many of its contributing artists reference in their works.
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Titled “Young, Wild, Free”, the exhibition celebrates the creativity, resilience, freedom and cultural influence found in Nigerian youth.
Taking aim at societal issues and economic concerns, the exhibit reflects the youth and their refusal to compromise or bow despite all the challenges stacked against them while charting youth culture through art, music, fashion, skateboarding, photography and community.
The exhibition will be held, once again, at the Angel and Muse Gallery at 25 Sumbo Jibowu street off Ribadu Road off Awolowo Road in Ikoyi.
It will open on Saturday 5 September 2026 and will run until 11 September 2026
This second edition which focuses on celebrating, nurturing and exploring artistic practices rooted in youth and street culture will feature works from DENCITY and SUPERGLIDER HOUSE.
Exhibiting artists include Ajilore Kehinde – their work is deeply influenced by Nigerian street culture and works of other artists like Slawn, Peters Ejiro, etc, Chuka Onwordi – graphic designer who embodies themes of death, melancholy and beauty in his works, ZIDYEP – Abuja based creative whose works move between digital and physical spaces through art, graphic design and air brushing , Franklyn Okoye – graphic designer and artist whose works explore themes of identity and hyper-reality, Awele Onwordi – founder & curator of WAKE UP and multidisciplinary artist whose practice spans character art, creative logo design, album covers and more , Oluchi Kogolo – digital illustrator whose work explores street culture, personality and storytelling through a raw and playful visual style and Kozetuo Apeji – multidisciplinary artists who work explores experimental approaches to problem solving through both digital and traditional art forms.

Commenting on the exhibition in her curatorial statement, Awele noted that “despite economic instability, limited opportunities and socio-political challenges, Nigerian youth continue to shape culture through music, fashion, art, skateboarding, raves, photography and community.”
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Continuing and harping on the raison d’etre of the exhibition she said, “Young, Wild and Free exists to celebrate Nigerian youth while also creating a platform that supports and amplifies them.”
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