Culture

NIMASA Makes Case for Designated Marine Protected Areas for fishing

Published

3 years ago

November 15, 2023

The Director General of the Nigerian Maritime Administration and Safety Agency, NIMASA Dr Bashir Jamoh says collaboration with the Nigerian Navy has played a key role in the achievements of his Administration in terms of maritime security in Nigerian waters and the Gulf of Guinea.

The NIMASA DG stated this today when he received the Flag Officer Commanding Western Naval Command, Rear Admiral Mustapha Hasssan and a delegation of senior Naval officers in Lagos, Nigeria.

Jamoh noted that the Nigerian model is now being adopted in other countries, adding that the change in narratives about security in Nigerian waters from the era of over 26 Piracy incidents and negative media exposure, to no single piracy incident in Nigerian waters for almost two years now, is a direct product of effective collaboration of the Maritime Administration with the Nigerian Navy, a relationship he hopes to deepen.

In his words “Collaboration with the Nigerian Navy is largely responsible for the confidence of stakeholders in the current Management of the Agency. I was in Brazil last week, the South Americans and even our neighbors like Ghana are eager to learn how we arrived at this MARAD-NAVY collaboration yielding successes. Just imagine that the negative media exposure in 2019-2020 about prevalent piracy and criminal activities in Nigerian waters had continued, you can only imagine where Nigeria would have been by now. I am glad we sought and got collaboration with the Navy.

The NIMASA Helmsman noted that the NIMASA is eager to ensure policy to ensure Nigerians enjoy benefits accruable from the Blue Economy. “The time has come for us to implement our Crude to Blue campaign since 2021. Maritime stakeholders in Nigeria should be ready to repay President Bola Ahmed Tinubu GCRF for creating the Marine and Blue Economy Ministry. If we must make headway in Tourism and fishing, security is priority. We will make a case for the designation of Marine Protected Areas particularly for fishing and the Nigerian Navy definitely will play a major role.

The constitution of an eight-man committee, comprising four each from the Navy and NIMASA was also announced to serve as catalyst for Shift from Crude to Blue, now that Nigeria has a Ministry of Marine and Blue Economy.

The FOC West, Rear Admiral Mustapha Hassan, noted the need to sustain information sharing between NIMASA and the Nigerian Navy. He commended NIMASA Management for the non-kinetic support to the Western Naval Command.

He also requested NIMASA to support ‘Operation Water Guard’ to combat smuggling around the Badagry channel.

The FOC West, who had the Commander Deep Blue Commodore OA Akinbami on his entourage, noted that the Deep Blue assets are fully functional and requested for further deepening of information sharing between the Western Naval Command and the NIMASA C4i center.

He also urged NIMASA to bring to the notice of the Ministry of Marine and Blue Economy, the need for Nigeria to take possession of a border island in Badagry, the oil rich Tongeji Island between Nigeria and Benin Republic for maritime tourism in particular. Dr Jamoh described the oil rich island as a low hanging fruit for the Federal Ministry of Marine and Blue Economy, with an assurance that the Agency will relate with the supervising Ministry for further actions, particularly as regards maritime tourism.

The closest village to the Tongeji Island in Nigeria is Badagry and it is about 55 minutes by water, while just 5 minutes from Porto Novo. The residents speak French and English and they do their daily shopping from Porto Novo.

Related Topics:Culture Featured Marine Protected NIMASA

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Culture

OLOJO….Ile Ife’s September Gift To Culture

Published

2 weeks ago

October 5, 2026

Mariam Balogun

By Halima Adaba,

It was a featubal if the people. It was for the anciebt town of Ile Ife, which the Yoruba race refards as the Source.

Also read: Olojo Festival 2026: Ooni Urges Leaders to Prioritise Citizens

And ut was a festivsl for the King, Arole Oduduwa, Oonirisa, Adeyeye Enitan Ogunwusi, Ojaja II.

And so between September 24 and 28th 2026, the annual featuval dazzjed in all its white glory.

Tge Monarch paid the traditional ancestral homage and offered propitiation as part of the sacred rites of the Olojo Festival.
It was a powerful expression of Yoruba heritage, spirituality, and enduring tradition.

Call it a collection of beautiful moments, faces, colours and cultural expressions.

Every frame tells a story.

Every face carries the energy.

Every moment keeps the heritage alive.

Undoubtedly one of the most sacred cultural celebrations in Ilé-Ifẹ̀. It marked a day associated with creation, thanksgiving, ancestral heritage, and the sacred appearance of the Ooni of Ife wearing the revered Aàrẹ crown.

There were also the devotees of the famed god of thunder – Sàngó who were hardly conspicuous at the festival.

Many other traditional groups came out with candor, showing a powerful expression of Yoruba cultural identity, spiritual devotion, and respect for the ancient traditions of Ilé-Ifẹ̀.

Devotees of Sàngó bekieved the ‘appearance’ of the god of thunder on Seotember 26th could be understood as a symbolic meeting of ancestral heritage, spiritual devotion, and the celebration of creation.

It was a moment when the sounds of drums, chants, and traditional praise poetry brought the history of the Yoruba people to life.

Although Olojo is closely associated with Ogun, the god of iron, and the sacred traditions of Ile-Ife, the presence of Sàngó devotees reflected the rich diversity of Yoruba spiritual heritage.

Also read: Olojo Festival 2026: Ooni Urges Leaders to Prioritise Citizens

As a participant enthused at the festival, “To witness Sàngó Olúkòso emerge on Olojo Festival day is to witness a living expression of history, identity, and ancestral pride.”

Culture

WAKE UP! Art Exhibition Returns for a Second Act

Published

2 months ago

August 27, 2026

Mariam Balogun

The contemporary art and photography exhibition “Wake Up!” is back again for a second edition.

Curated by Awele Onwordi, Wake Up! 2 exhibition pays homage to the Nigerian youth and burgeoning street culture which many of its contributing artists reference in their works.

Also read: Five rising stars battle for 2026 Headies Next Rated

Titled “Young, Wild, Free”, the exhibition celebrates the creativity, resilience, freedom and cultural influence found in Nigerian youth.

Taking aim at societal issues and economic concerns, the exhibit reflects the youth and their refusal to compromise or bow despite all the challenges stacked against them while charting youth culture through art, music, fashion, skateboarding, photography and community.

The exhibition will be held, once again, at the Angel and Muse Gallery at 25 Sumbo Jibowu street off Ribadu Road off Awolowo Road in Ikoyi.

It will open on Saturday 5 September 2026 and will run until 11 September 2026
This second edition which focuses on celebrating, nurturing and exploring artistic practices rooted in youth and street culture will feature works from DENCITY and SUPERGLIDER HOUSE.

Exhibiting artists include Ajilore Kehinde – their work is deeply influenced by Nigerian street culture and works of other artists like Slawn, Peters Ejiro, etc, Chuka Onwordi – graphic designer who embodies themes of death, melancholy and beauty in his works, ZIDYEP – Abuja based creative whose works move between digital and physical spaces through art, graphic design and air brushing , Franklyn Okoye – graphic designer and artist whose works explore themes of identity and hyper-reality, Awele Onwordi – founder & curator of WAKE UP and multidisciplinary artist whose practice spans character art, creative logo design, album covers and more , Oluchi Kogolo – digital illustrator whose work explores street culture, personality and storytelling through a raw and playful visual style and Kozetuo Apeji – multidisciplinary artists who work explores experimental approaches to problem solving through both digital and traditional art forms.

Commenting on the exhibition in her curatorial statement, Awele noted that “despite economic instability, limited opportunities and socio-political challenges, Nigerian youth continue to shape culture through music, fashion, art, skateboarding, raves, photography and community.”

Also read: Five rising stars battle for 2026 Headies Next Rated

Continuing and harping on the raison d’etre of the exhibition she said, “Young, Wild and Free exists to celebrate Nigerian youth while also creating a platform that supports and amplifies them.”