Festivals
Nigeria to host inaugural Road Safety Film Festival, harnessing Nollywood for safer roads
Published
1 year agoon

Nigeria is set to host its first-ever Road Safety International Film Festival (RSIFF), leveraging the power of cinema and celebrity influence to promote road safety awareness and behaviour change
Nigeria is gearing up to host its pioneering Road Safety International Film Festival (RSIFF), a groundbreaking initiative aimed at utilising cinematic storytelling to champion road safety awareness across the nation.
Also read: FUNAAB students celebrate final year with inaugural “Ojude FUNAAB” festival
The festival is a collaborative effort between the Federal Road Safety Corps (FRSC), the I Am the Future of Nigeria Youth Initiative (IFON), and the Actors Guild of Nigeria (AGN).
The launch was officially announced at a joint press conference held at the FRSC Headquarters in Abuja on Wednesday.
FRSC Corps Marshal, Shehu Mohammed, revealed that the festival, themed “Drive Right, Drive Smart,” is slated for the third quarter of the year.
It represents a strategic partnership to create a unique entertainment-based educational project, complementing existing FRSC efforts to ensure safer Nigerian roads.
“This initiative leverages the power of film and celebrity influence to educate Nigerians on road safety rules and responsible driving behaviour,” said Corps Marshal Mohammed.
He highlighted that the festival is a novel approach to improving road safety awareness in Nigeria, integrating entertainment with education to engage the public and promote responsible road use in a memorable and impactful manner.
While a first for Nigeria, similar road safety film festivals have been successfully held globally, including in India, France, Chile, Morocco, Ethiopia, and Congo.
The FRSC is confident that dramatising real-life scenarios through short films, skits, and interactive media content will re-educate and re-orientate road users, improve understanding of traffic laws, and drive behavioural change.
This campaign is not just another programme; it is Nigeria’s first-ever road safety movement powered by film, media, and celebrity advocacy.
“To this end, we call on all entertainers, skit makers, content creators, actors, movie producers and youths to join hands with FRSC in promoting Safer Roads in Nigeria through this novel initiative,” Mohammed urged, emphasising the festival’s potential to increase public awareness, improve compliance with regulations, and engage younger demographics.
Mrs. Noni Okocha, Chief Executive Officer of IFON, underscored the urgency of the campaign. “Road traffic crashes remain one of the leading causes of death in Nigeria, especially among our youth, and this makes the campaign not just timely, but urgent,” she stated.
She added that the initiative is “Nigeria’s first-ever road safety movement powered by film, media, and celebrity advocacy, under the umbrella of the Road Safety International Film Festival (RSIFF).”
Okocha stressed the power of collaboration: “When we come together, government agencies, communities, schools, media, and celebrities—we cultivate a culture where safety becomes our second nature.
Together, we can save lives, we can protect families, and we can build a future where every road user gets home safely.”
In his remarks, Emeka Rollas, National President of the Actors Guild of Nigeria, pledged the full support of Nigerian actors, recognising their role as “influencers of culture, mirrors of society, and agents of change.”
He revealed that many Nollywood actors have already signed on as Road Safety Ambassadors, lending their voices and influence to the cause.
“To my colleagues in Nollywood, this is our opportunity to give back to society by using our art for advocacy; let us create stories that matter, stories that save lives,” Rollas implored.
“When film meets purpose, magic happens, let us make that magic count, let us make Nigeria’s roads safer one story at a time.” The festival is set to mark a significant step towards a safer driving culture in Nigeria.
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By Halima Adaba,
It was a featubal if the people. It was for the anciebt town of Ile Ife, which the Yoruba race refards as the Source.
Also read: Olojo Festival 2026: Ooni Urges Leaders to Prioritise Citizens
And ut was a festivsl for the King, Arole Oduduwa, Oonirisa, Adeyeye Enitan Ogunwusi, Ojaja II.
And so between September 24 and 28th 2026, the annual featuval dazzjed in all its white glory.
Tge Monarch paid the traditional ancestral homage and offered propitiation as part of the sacred rites of the Olojo Festival.
It was a powerful expression of Yoruba heritage, spirituality, and enduring tradition.
Call it a collection of beautiful moments, faces, colours and cultural expressions.
Every frame tells a story.
Every face carries the energy.
Every moment keeps the heritage alive.
Undoubtedly one of the most sacred cultural celebrations in Ilé-Ifẹ̀. It marked a day associated with creation, thanksgiving, ancestral heritage, and the sacred appearance of the Ooni of Ife wearing the revered Aàrẹ crown.
There were also the devotees of the famed god of thunder – Sàngó who were hardly conspicuous at the festival.
Many other traditional groups came out with candor, showing a powerful expression of Yoruba cultural identity, spiritual devotion, and respect for the ancient traditions of Ilé-Ifẹ̀.
Devotees of Sàngó bekieved the ‘appearance’ of the god of thunder on Seotember 26th could be understood as a symbolic meeting of ancestral heritage, spiritual devotion, and the celebration of creation.
It was a moment when the sounds of drums, chants, and traditional praise poetry brought the history of the Yoruba people to life.
Although Olojo is closely associated with Ogun, the god of iron, and the sacred traditions of Ile-Ife, the presence of Sàngó devotees reflected the rich diversity of Yoruba spiritual heritage.
Also read: Olojo Festival 2026: Ooni Urges Leaders to Prioritise Citizens
As a participant enthused at the festival, “To witness Sàngó Olúkòso emerge on Olojo Festival day is to witness a living expression of history, identity, and ancestral pride.”

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