Culture
Nigeria establishes academy for cultural studies to revive heritage
Published
2 years agoon
By
akonitv
igeria is launching the Nigerian Academy for Cultural Studies in September 2025, aiming to revive and institutionalise cultural knowledge nationwide
The Nigerian Academy for Cultural Studies (NACUS), a specialised monotechnic owned by the Federal Government, is set to commence academic activities in September 2025.
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The academy will operate with pilot campuses located in Lagos, Cross River, Ogbomosho, and the Federal Capital Territory, Abuja.
According to a statement released on Thursday by Caleb Nor, the media assistant to the executive secretary of the National Institute for Cultural Orientation (NICO), NACUS is a brainchild of NICO, an agency under the Federal Ministry of Art, Culture, Tourism and the Creative Economy.
The institution’s core mission is to revive and institutionalise cultural knowledge within Nigeria, fostering cultural pride and identity through structured academic and professional training.
Otunba Biodun Ajibola, the Executive Secretary/Chief Executive Officer of NICO, confirmed that the academy’s curriculum has received approval from the National Board for Technical Education, and its corporate registration with the Corporate Affairs Commission has been finalised.
“NACUS will award National Diplomas in Cultural Administration Resource Management and Postgraduate Diplomas in Cultural Administration, making graduates eligible for employment, civil service promotions, and professional opportunities both locally and internationally,” Otunba Ajibola stated.
The NICO boss underscored the critical importance of cultural understanding for sustainable national development. He cited the socio-economic progress of Japan, China, and Korea as being significantly driven by cultural awareness, while suggesting that Africa’s developmental challenges are partly attributable to the lingering effects of cultural imperialism.
“The Academy’s curriculum compares cultures across the globe to show that Nigeria’s heritage is neither inferior nor irrelevant,” he emphasised. “This is a strategic move to challenge and overcome decades of cultural erosion.”
Otunba Ajibola highlighted that NACUS’s programmes are open to a diverse range of individuals, including cultural officers, theatre practitioners, hospitality workers, filmmakers, and even international students with an interest in Nigerian culture. A key feature of the academy, he noted, is the opportunity for graduates to serve as cultural officers in Nigerian embassies worldwide.
Furthermore, NACUS is introducing innovative courses such as Cultural Technology and Cultural Pharmacology. Cultural Technology will focus on harnessing natural resources through indigenous technology for practical applications, while Cultural Pharmacology will explore and develop Nigeria’s rich botanical resources into medicinal formulations.
The establishment of NACUS has garnered widespread support. In the South-South region, the Cross River State Government has donated a fully equipped facility to house the academy’s regional campus, demonstrating its commitment to preserving and promoting cultural heritage.
Similarly, in the South-West, His Imperial Majesty, Oba Ghandi Afolabi Olaoye, the Soun of Ogbomosho, has provided a building to host the Ogbomosho campus.
The monarch expressed his appreciation for the Federal Government’s initiative and reaffirmed his support for cultural education as a vital tool for national unity and development.
“We are proud to have this institution in Ogbomosho. It will become a centre for cultural learning, unity, and national identity,” the Oba stated.
“With NACUS, Nigeria takes a bold step toward cultural revival and sustainable development through education,” the statement concluded.
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Dexter Loko Wins Prestigious 2026 Chinua Achebe Prize
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Dexter Loko Wins Chinua Achebe Prize for his 170,000-word fantasy novel, The Bako of Zereshé, at the 2026 ANA convention in Abuja
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Crowds Gather for Rare Sunrise at Egypt’s Abu Simbel Temple
Published
2 weeks agoon
October 23, 2026
Hundreds of tourists gathered at Egypt’s Abu Simbel temple to witness the twice-yearly sunrise ceremony illuminating Pharaoh Ramses II’s statue
Hundreds of tourists gathered at Egypt’s Abu Simbel temple on Thursday to witness a spectacular sunrise phenomenon in which sunlight illuminated the face of the statue of Pharaoh Ramses II, an event that occurs only twice a year.
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The ancient astronomical ceremony drew visitors from different parts of the world to the archaeological site in southern Egypt on October 22, one of two dates associated with the phenomenon.
The second occurrence takes place on February 22, when the rising sun illuminates the temple’s interior.
Egyptian tour guide Yasser Fouad described the occasion as extraordinary, saying some visitors had stayed overnight to secure the opportunity to witness the event.
“Today is an extraordinary day, everyone is keen, there are people who stayed over the night, foreigners who actually spent the night in Abu Simbel to see this phenomenon,” Fouad said.
The Great Temple of Ramses II at Abu Simbel dates back to the 13th century BC and is among Egypt’s most prominent archaeological attractions.
Built during the reign of Ramses II, one of ancient Egypt’s most powerful pharaohs, the temple is renowned for its monumental statues and sophisticated architectural design.
The twice-yearly sunrise phenomenon is a major attraction, drawing visitors eager to witness the interaction between sunlight and the temple’s ancient structure.
The dates have traditionally been associated with significant moments in Ramses II’s life.
October 22 is commonly linked to his birthday, while February 22 is associated with his accession to the throne.
However, the precise historical reasons behind the dates remain debated.
Some archaeologists have proposed alternative explanations, including that they may have marked the pharaoh’s coronation and birthday.
Abu Simbel underwent a major international rescue operation in the 1960s, when archaeologists and engineers relocated the temples to protect them from flooding caused by the construction of the Aswan High Dam.
The monumental structures were cut into large blocks and reassembled at a higher location, preserving the site for future generations.
The relocation was one of the most significant archaeological preservation projects of the 20th century.
Despite the move, the temple continues to attract visitors for its ancient Egyptian art, monumental architecture and remarkable alignment with the rising sun.
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The annual gatherings highlight the enduring appeal of Egypt’s archaeological heritage and the continuing fascination with the astronomical knowledge and engineering achievements of its ancient civilisation.
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