Culture
Niger Delta urged to improve security, tap into potentials of cultural tourism
Published
3 years agoon
By
Lanre
States in the Niger Delta region have been charged to improve security and tap into cultural tourism to boost their local and foreign exchange earnings away from over-dependence on oil and gas.
The advice was from the Bayelsa State Commissioner for Tourism, Dr. Iti Onigbani, in Patani, headquarters of Patani Local Government Area of Delta State.
Onigbani reiterated the urgent need for cultural reawakening in the region through teaching and learning of the indigenous languages in schools.
This, he said, would help “to avoid the indigenous languages of the Niger Delta from going into extinction.”
Onigbani also urged Niger Delta youths to embrace cultural revival in the overall interest of the ethnic nationality.
He spoke on the occasion of the Fourth Annual Memorial get-together in honour of a community leader in Patani, Deaconess (Mrs) Magdalene Zipuamere Egukawho (nee Okoro).
The event featured Christian memorial service, tributes and cultural displays with the attendance of traditional rulers, government officials, captains of industry as well as members of the public, drawn in their numbers particularly from Bayelsa and Delta States.
Among the dignitaries was Alabo Gideon Ekeumei, the Secretary to the State Government (SSG) representing Bayelsa State Governor; Dr. Iti Orugbani, the Commissioner for Tourism; Chief Ekisah Esinkumoh, the Commissioner for Special Duties; Hon. Jones Ebiere, the Commissioner for Mineral Resources; King Itchekpo Mbi of Obetebe land as well as High Chief Tunde Smooth who led representatives of the Ijaw Development Union (IDU), among others.
Onigbani stated that the Niger Delta region of Nigeria is endowed with a lot of festivals and cultural events that are tourist attractions, and qualify as tourism destinations.
He noted that if extensively explored, they would add to the socioeconomic development of the region.
“Apart from the prospects of oil and gas in the Niger Delta region, it is high time the Federal Government and the various States explored the tourism and cultural potentialities of the region.
“One of the numerous untapped tourism potentialities of the Niger Delta region is the Seigbein festival of Kabowei Kingdom, a subset of the Niger Delta.
“Seigbein festival alongside other festivals and cultural products in the Niger Delta region, are money spinners because both local and foreign investors will be attracted to the region to invest their money, if adequately explored,” he noted.
The Commissioner, therefore, called for the allocation of more funds to the culture and tourism sector in the annual budgets of the respective states in the region.
While canvassing for increased investments in the tourism sector in the Niger Delta region, the Commissioner, however, emphasised the need for improved security across the area saying “this is highly imperative to further boost the confidence of potential tourists”.
Furthermore, he called for urgent rehabilitation of all the failed portions of the East West highway to make tourism a more interesting venture in the region.
Speaking earlier, the chief host of the get-together, High Chief Emomena Victor Wayles Egukawhore, a marine, construction and oil magnate and Chief executive of De Wayles group of companies, said that the annual event was to immortalize and honour his beloved mother, who passed on four years ago, for the lasting legacy she left behind for him, his siblings and the society at large.
Also addressing the gathering, the Bishop of the Anglican Diocese of Western Izon, Rt. Reverend Victor Ebipade Okporu, extolled the qualities of departed Deaconess Egukawho, mother of the celebrant, whom he described as “an exceptionally virtuous woman who had left good legacy and impacted positively on the lives of all those who came in contact with her during her lifetime.
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The contemporary art and photography exhibition “Wake Up!” is back again for a second edition.
Curated by Awele Onwordi, Wake Up! 2 exhibition pays homage to the Nigerian youth and burgeoning street culture which many of its contributing artists reference in their works.
Also read: Five rising stars battle for 2026 Headies Next Rated
Titled “Young, Wild, Free”, the exhibition celebrates the creativity, resilience, freedom and cultural influence found in Nigerian youth.
Taking aim at societal issues and economic concerns, the exhibit reflects the youth and their refusal to compromise or bow despite all the challenges stacked against them while charting youth culture through art, music, fashion, skateboarding, photography and community.
The exhibition will be held, once again, at the Angel and Muse Gallery at 25 Sumbo Jibowu street off Ribadu Road off Awolowo Road in Ikoyi.
It will open on Saturday 5 September 2026 and will run until 11 September 2026
This second edition which focuses on celebrating, nurturing and exploring artistic practices rooted in youth and street culture will feature works from DENCITY and SUPERGLIDER HOUSE.
Exhibiting artists include Ajilore Kehinde – their work is deeply influenced by Nigerian street culture and works of other artists like Slawn, Peters Ejiro, etc, Chuka Onwordi – graphic designer who embodies themes of death, melancholy and beauty in his works, ZIDYEP – Abuja based creative whose works move between digital and physical spaces through art, graphic design and air brushing , Franklyn Okoye – graphic designer and artist whose works explore themes of identity and hyper-reality, Awele Onwordi – founder & curator of WAKE UP and multidisciplinary artist whose practice spans character art, creative logo design, album covers and more , Oluchi Kogolo – digital illustrator whose work explores street culture, personality and storytelling through a raw and playful visual style and Kozetuo Apeji – multidisciplinary artists who work explores experimental approaches to problem solving through both digital and traditional art forms.

Commenting on the exhibition in her curatorial statement, Awele noted that “despite economic instability, limited opportunities and socio-political challenges, Nigerian youth continue to shape culture through music, fashion, art, skateboarding, raves, photography and community.”
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Continuing and harping on the raison d’etre of the exhibition she said, “Young, Wild and Free exists to celebrate Nigerian youth while also creating a platform that supports and amplifies them.”
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