Culture
Ile-Ife: Untapped wealth, cultural tourism goldmine waiting for global recognition
Published
2 years agoon
By
akonitv
Ile-Ife, the cradle of Yoruba civilisation, holds immense cultural and economic potential. With proper investment, it could become a global tourism hub
Ile-Ife, the ancient cradle of Yoruba civilisation, is not just a historical city — it is a living museum of spiritual, cultural, and economic wealth waiting to be harnessed.
Known as the home of Oduduwa, the progenitor of the Yoruba race, and a sacred centre for the worship of Aje (wealth), Ile-Ife holds untold potential that could transform Nigeria’s economy through cultural and religious tourism.
In Yoruba tradition, wealth is more than material prosperity — it is a divine force. Aje, as the Yoruba call it, represents abundance, enterprise, and spiritual balance.
According to Ifa history, Aje was one of the deities that accompanied Oduduwa to Ile-Ife, where it remains a central force in the region’s cultural and economic life.
Every Monday, the Yoruba people dedicate the day to Aje, with processions led by the revered Ooni of Ife, Adeyeye Enitan Ogunwusi, CFR, Ojaja II, from his palace to the Aje shrine.
One of the key figures preserving and promoting this heritage is Chief Toyin Kolade, the Iyalaje of the Source, whose tireless efforts have amplified the celebration of Aje and positioned Ile-Ife as the global spiritual headquarters of wealth.
Yet, despite its rich cultural significance and historical importance, Ile-Ife remains underdeveloped and overlooked in Nigeria’s economic strategy.
The town’s numerous heritage sites — including the Oduduwa Grove, the Opa Oranmiyan Shrine, and the Moremi Ajasoro Cemetery — possess the potential to attract millions of tourists annually.
Sites like Ita-Yemoo Shrine, Igbo Olokun, and Olokun Grove are also cultural treasures waiting to be properly preserved and showcased.
The Economic Potential of Cultural Tourism in Ile-Ife
Countries with fewer historical sites have built thriving economies around their heritage. Israel, with sites like the Western Wall and the Church of the Holy Sepulchre, earns over $6 billion annually from religious tourism.
Saudi Arabia generates over $12 billion from pilgrimages alone, while Greece’s ancient sites like the Acropolis contribute to its $18 billion cultural tourism revenue.
Egypt’s pyramids and temples attracted millions of visitors, generating $13 billion in 2023.
If Nigeria invests in developing Ile-Ife’s historical and spiritual sites, the city could easily become a global tourism hub. Pilgrimages, cultural festivals, and academic excursions could transform the city into a major attraction, bringing in foreign exchange and boosting local businesses.
This would create thousands of jobs, improve infrastructure, and significantly increase Nigeria’s gross domestic product.
As Nigeria seeks to diversify its economy, it must recognise the untapped wealth in Ile-Ife. President Bola Tinubu’s administration should prioritise investment in the city’s cultural heritage sites as part of the national economic diversification strategy.
Improved infrastructure, preservation efforts, and policies encouraging both local and international tourism would honour Nigeria’s rich history while securing future prosperity.
We also call on non-governmental organisations, private sector players, and international heritage foundations to extend their support to Ile-Ife.
Just as global corporations invest in preserving cultural sites across Europe, Asia, and the Middle East, Ile-Ife deserves global recognition and funding.
Aje is not just a deity — it is an opportunity. It’s time for Nigeria and the world to embrace it.
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The contemporary art and photography exhibition “Wake Up!” is back again for a second edition.
Curated by Awele Onwordi, Wake Up! 2 exhibition pays homage to the Nigerian youth and burgeoning street culture which many of its contributing artists reference in their works.
Also read: Five rising stars battle for 2026 Headies Next Rated
Titled “Young, Wild, Free”, the exhibition celebrates the creativity, resilience, freedom and cultural influence found in Nigerian youth.
Taking aim at societal issues and economic concerns, the exhibit reflects the youth and their refusal to compromise or bow despite all the challenges stacked against them while charting youth culture through art, music, fashion, skateboarding, photography and community.
The exhibition will be held, once again, at the Angel and Muse Gallery at 25 Sumbo Jibowu street off Ribadu Road off Awolowo Road in Ikoyi.
It will open on Saturday 5 September 2026 and will run until 11 September 2026
This second edition which focuses on celebrating, nurturing and exploring artistic practices rooted in youth and street culture will feature works from DENCITY and SUPERGLIDER HOUSE.
Exhibiting artists include Ajilore Kehinde – their work is deeply influenced by Nigerian street culture and works of other artists like Slawn, Peters Ejiro, etc, Chuka Onwordi – graphic designer who embodies themes of death, melancholy and beauty in his works, ZIDYEP – Abuja based creative whose works move between digital and physical spaces through art, graphic design and air brushing , Franklyn Okoye – graphic designer and artist whose works explore themes of identity and hyper-reality, Awele Onwordi – founder & curator of WAKE UP and multidisciplinary artist whose practice spans character art, creative logo design, album covers and more , Oluchi Kogolo – digital illustrator whose work explores street culture, personality and storytelling through a raw and playful visual style and Kozetuo Apeji – multidisciplinary artists who work explores experimental approaches to problem solving through both digital and traditional art forms.

Commenting on the exhibition in her curatorial statement, Awele noted that “despite economic instability, limited opportunities and socio-political challenges, Nigerian youth continue to shape culture through music, fashion, art, skateboarding, raves, photography and community.”
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Continuing and harping on the raison d’etre of the exhibition she said, “Young, Wild and Free exists to celebrate Nigerian youth while also creating a platform that supports and amplifies them.”
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