Culture
Five years after, Lagos Inaugurates Randle Centre for Yoruba Culture and History
Published
4 years agoon
By
akonitv
The five-year reconstruction journey of the John Randle Centre for Yoruba Culture and History, Onikan, Lagos, ended on Tuesday, January 24, when President Muhammadu Buhari inaugurated the edifice.
Ex-Governor Akinwumi Ambode laid the foundation in January 2018 as part of his administration’s plan to turn the Onikan axis into a tourist hub in Nigeria and Africa. “Recently, the Centre has become redundant, serving uses other than those for which it was built before falling to great neglect and disrepair. As a result, the Lagos State Government decided to redevelop the Centre. In the past, the Centre provided recreational services to the Lagos populace but the new J. Randle Centre will do a lot more,” he said at the groundbreaking ceremony.
Ambode added that the Centre’s redevelopment was part of the larger Eko Park. “The realization of J.K Randle redevelopment and eventual execution of the Eko Park, the upgrading of the Onikan Stadium, the mounting of 55 feet Eyo Statue, upgrading of the Lagos Museum and the upgrading of the former State House in Marina will catalyze the rest of the regeneration of Lagos Island, restoring it to its former glory, while reinforcing this great city’s position as one of the world’s most vibrant, cosmopolitan and exciting places to experience,” he said.
Demonstrating the same commitment to the growth of the creative sector as his predecessor, Governor Sanwo-Olu completed the Centre and invited the President to inaugurate it. The deputy governor, Dr Obafemi Hamzat, members of the state executive council, and Minister of Information and Culture, Lai Mohammed, Sports Minister, Sunday Dare and the Ooni of Ife, Adeyeye Ogunwusi, were among those that witnessed the occasion. Others were the Erelu of Lagos, Abiola Dosunmu, ace cinematographer Dr Tunde Kelani, actress Joke Silva, and actor Abiodun Ayoyinka.

Before Tuesday’s inauguration, Sanwo-Olu and members of his cabinet periodically visited the site comprising a swimming pool, tennis court, an exhibition hall, a multi-purpose hall, a library, orientation rooms and learning spaces, gift shops, and a lounge to assess work progress.
Always on time, President Buhari did not give any speech. He only commissioned the edifice and toured it alongside the dignitaries. They viewed the exhibitions specially mounted at the Centre, another laudable effort in preserving and propagating Yoruba history.
Speaking after the event, Commissioner for Tourism, Arts and Culture Uzamat Akinbile Yussuf said the museum would stimulate the state’s economy by bringing tourists from within and outside the country.
She said, “apart from this Centre being a museum, it is a multi-faceted and all-encompassing tourism asset that portrays the indigenous culture of Lagosians and the entire Yoruba race. It is, indeed, a centre that creates an avenue for younger generations to have first in-depth knowledge about our culture that is nearly going into extinction, so it is a knowledge sharing centre.”
The Information and Strategy Commissioner, Gbenga Omotoso, added, “it is a very bold attempt to sell and revive our culture and tap from tourism in the area of the economy.”
The site architect, Damilare Ojewole, who took visitors on a tour of the facility, further explained that the Centre brings to the fore the origin of Yoruba culture.
Ojewole said, “we have exhibitions on naming ceremonies in the old, divinations, it reveals the various masquerades in Yoruba land, we have contemporary art section, fashion and more. At another session, we have a gadget for visitors to check their names’ meanings and a good ambience for tales by moonlight. The permanent exhibition here celebrates the language, rituals, festivals, deities and ancestry of the Yoruba people at this time. It will ensure that the legacy of Yoruba culture and history is kept alive in Lagos.”
Friends of the late John Randle, who died at a relatively young age, built the Randle Centre in his honour. The J Randle Memorial Fund managed the property, also set up in his memory by the original trustees.
Source: TCN
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The contemporary art and photography exhibition “Wake Up!” is back again for a second edition.
Curated by Awele Onwordi, Wake Up! 2 exhibition pays homage to the Nigerian youth and burgeoning street culture which many of its contributing artists reference in their works.
Also read: Five rising stars battle for 2026 Headies Next Rated
Titled “Young, Wild, Free”, the exhibition celebrates the creativity, resilience, freedom and cultural influence found in Nigerian youth.
Taking aim at societal issues and economic concerns, the exhibit reflects the youth and their refusal to compromise or bow despite all the challenges stacked against them while charting youth culture through art, music, fashion, skateboarding, photography and community.
The exhibition will be held, once again, at the Angel and Muse Gallery at 25 Sumbo Jibowu street off Ribadu Road off Awolowo Road in Ikoyi.
It will open on Saturday 5 September 2026 and will run until 11 September 2026
This second edition which focuses on celebrating, nurturing and exploring artistic practices rooted in youth and street culture will feature works from DENCITY and SUPERGLIDER HOUSE.
Exhibiting artists include Ajilore Kehinde – their work is deeply influenced by Nigerian street culture and works of other artists like Slawn, Peters Ejiro, etc, Chuka Onwordi – graphic designer who embodies themes of death, melancholy and beauty in his works, ZIDYEP – Abuja based creative whose works move between digital and physical spaces through art, graphic design and air brushing , Franklyn Okoye – graphic designer and artist whose works explore themes of identity and hyper-reality, Awele Onwordi – founder & curator of WAKE UP and multidisciplinary artist whose practice spans character art, creative logo design, album covers and more , Oluchi Kogolo – digital illustrator whose work explores street culture, personality and storytelling through a raw and playful visual style and Kozetuo Apeji – multidisciplinary artists who work explores experimental approaches to problem solving through both digital and traditional art forms.

Commenting on the exhibition in her curatorial statement, Awele noted that “despite economic instability, limited opportunities and socio-political challenges, Nigerian youth continue to shape culture through music, fashion, art, skateboarding, raves, photography and community.”
Also read: Five rising stars battle for 2026 Headies Next Rated
Continuing and harping on the raison d’etre of the exhibition she said, “Young, Wild and Free exists to celebrate Nigerian youth while also creating a platform that supports and amplifies them.”
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