Festivals
Carnival Calabar partners Yanga Lotto, ASSITEJ for improved entertainment
Published
2 years agoon
By
Lanre
The Carnival Calabar Commission on Monday announced its partnership with Yanga Lotto and ASSITEJ Nigeria to improve on entertainment and educating activities for children.
Dr Gabe Onah, Chairman of the Commission made this known during a media briefing in Lagos.
Onah said the partnership was a deliberate move to take the Carnival back to the private sector to guarantee its sustainability.
Akonitv reports that Yanga Lotto is a digital gaming platform .
Also, ASSITEJ is an international body dedicated to the artistic, cultural, and educational rights of children and young people across the globe.
Onah noted that Gov. Bassey Otu of Cross River desired to explore the 2024 edition of the carnival to improve creativity in children and ensure that citizens were enriched through the power of creativity, culture and tourism.
He said that the partnership with ASSITEJ Nigeria and Yanga Lotto necessitated those ideals.
“We are happy that we are taking Carnival Calabar back to the private sector and that is the way to encourage sustainability.
“The theme for the year’s carnival was unveiled on March 24 as ‘Our Shared Prosperity’,” he said.
Also speaking, Mr Derrick Kentebbe, Executive Chairman, Yanga Lotto expressed readiness to ensure that the gaming platform generated huge fund for the carnival through lottery and more.
Kentebbe said the the platform would engage the Genz in the course of the carnival.
“I can see the passion of the Carnival Calabar team here and I am sure the 2024 edition of the carnival will be the most successful ever. Expect a lot from Yanga games this year,” he said.
Dr Pamela Udoka, President of ASSITEJ Nigeria, noted that Nigerian culture and arts had been focused more on adults while the younger ones lose touch with African values.
Udoka said ASSITEJ Nigeria would be engaging the children and the young adults in conferences, workshops, theatre productions, panel discussions in the course of the carnival.
According to her, this was to spur children’s creativity, enlighten them on embracing culture and encourage talent discovery.
“We are trying to use Carnival Calabar to drive participation for children and young adults.
“So we will be hosting ASSITEJ Nigeria Theatre Festival, exclusively for the young ones,” she said.
Unveiling the programme for the carnival, Mr Effiong Ekpenyong, Special Adviser, Events Management, Governor’s Office and Tourism Development, said the carnival would begin with lighting of Christmas trees in the Canaan City.
He said the carnival will start on Dec. 1 with HIV AIDs walk day to the festival village and the official opening of the carnival.
“Each day of the carnival will be an experience, we will feature comedy night, reggae night, boat regatta at the Marina Resort waterfront, barbecue night and more.
“We will feature a mega concert where A list Nigerian artistes will perform for free and we have a mini theme known as ‘Sweetness Continues’,” he said.
Mr Austine Cobham, Executive Secretary, Carnival Commission, said the carnival would be a 32-day event.
Cobham said ahead of the 32-day carnival, the first Dry Run heralding the carnival would hold Oct. 20, the second dry run would be on Nov. 2 while the third and final dry run would hold Dec. 8.
“The cultural carnival would hold on Dec 26, as well as the Kings and Queens performance; the children carnival, now called the junior carnival will take place on Dec. 27.
“The Carnival Calabar, known as Africa’s biggest street party, will be on Dec. 28, Bikers Parade will hold Dec 29 while the Street party will be on Dec. 30,” he said.
Mrs Mary Ephraim-Egbas, Managing Director of OKHMA Global, official marketing company for the carnival said, “We are proud to be associated with Carnival Calabar, we appreciate the sponsors.
“This year, we are looking at taking the relationship further, we seek infrastructure partnership to be able to create cabins for the carnival.
“We also want partners in the area of drinks, we usually have attendance of over two million people, we stream the carnival in over 42 countries, it is a viable platform for sponsors to come on board,” she said.
Ikechi Uko, the Carnival Calabar Consultant commended the commission for standing tall for 20 years, making the carnival to run smoothly and welcoming innovations.
Uko described the carnival as the biggest tourism product Nigeria had sold to the world, adding that it also stood the test of time.
He said Carnival Calabar had encouraged institutional memory, ensured bye-in from the people and separating the spiritual from the carnival.
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By Halima Adaba,
It was a featubal if the people. It was for the anciebt town of Ile Ife, which the Yoruba race refards as the Source.
Also read: Olojo Festival 2026: Ooni Urges Leaders to Prioritise Citizens
And ut was a festivsl for the King, Arole Oduduwa, Oonirisa, Adeyeye Enitan Ogunwusi, Ojaja II.
And so between September 24 and 28th 2026, the annual featuval dazzjed in all its white glory.
Tge Monarch paid the traditional ancestral homage and offered propitiation as part of the sacred rites of the Olojo Festival.
It was a powerful expression of Yoruba heritage, spirituality, and enduring tradition.
Call it a collection of beautiful moments, faces, colours and cultural expressions.
Every frame tells a story.
Every face carries the energy.
Every moment keeps the heritage alive.
Undoubtedly one of the most sacred cultural celebrations in Ilé-Ifẹ̀. It marked a day associated with creation, thanksgiving, ancestral heritage, and the sacred appearance of the Ooni of Ife wearing the revered Aàrẹ crown.
There were also the devotees of the famed god of thunder – Sàngó who were hardly conspicuous at the festival.
Many other traditional groups came out with candor, showing a powerful expression of Yoruba cultural identity, spiritual devotion, and respect for the ancient traditions of Ilé-Ifẹ̀.
Devotees of Sàngó bekieved the ‘appearance’ of the god of thunder on Seotember 26th could be understood as a symbolic meeting of ancestral heritage, spiritual devotion, and the celebration of creation.
It was a moment when the sounds of drums, chants, and traditional praise poetry brought the history of the Yoruba people to life.
Although Olojo is closely associated with Ogun, the god of iron, and the sacred traditions of Ile-Ife, the presence of Sàngó devotees reflected the rich diversity of Yoruba spiritual heritage.
Also read: Olojo Festival 2026: Ooni Urges Leaders to Prioritise Citizens
As a participant enthused at the festival, “To witness Sàngó Olúkòso emerge on Olojo Festival day is to witness a living expression of history, identity, and ancestral pride.”

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