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Opinion

Between Fela and Whizkid…. 2

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Fela

By Bola BOLAWOLE

Michael Jackson has now arrived in Jamaica for a meeting with Bob Marley. Read on!

“Kingston, Jamaica, October 23rd, 1978. 8:30 p.m: The exclusive Pegasus Hotel’s penthouse suite was buzzing with quiet conversation when Michael Jackson walked through the heavy wooden doors… Michael had an agenda beyond social pleasantries.

Also read: Lateef Adedimeji Congratulates Ogun State on 50th Anniversary

He wanted to propose something that would reshape both (his and Bob Marley’s) careers forever.

The contrast between the two men was immediately striking. Michael wore an expensive silk shirt, perfectly tailored pants, and his signature sequin glove, representing everything successful about the American music industry.

Bob, in contrast, wore simple jeans and a cotton shirt, his dreadlocks flowing naturally, embodying the authentic spiritual energy that had made him reggae’s most respected voice…

Bob looked up as Michael approached, setting down his guitar with the measured calm that characterized everything he did. “Michael Jackson,” Bob said with a slight smile, gesturing to the empty chair across from him. “The prince of pop music. Bless up, brethren.”

Michael slid into the chair, immediately struck by the difference between this intimate setting and their brief backstage encounter three years earlier.

Here, face-to-face, he could see the profound intelligence in Bob’s eyes—the spiritual weight he carried, the way he seemed to be listening to something beyond their conversation.

“Bob, it’s an honor to finally sit with you properly”, Michael said, his nervous energy evident despite his attempt to appear confident. “I’ve been hoping for this opportunity for years.

Bob’s expression remained warm but curious. “What brings the King of Pop to Jamaica, Michael? What’s on your heart?”

Michael leaned forward across the small table between them, his excitement building as he outlined his vision. “Bob, I want to propose something that could change music history. A full collaboration—an album, a world tour, maybe even a concert film. We could combine your consciousness with my reach, your message with my platform.”

Bob studied Michael’s face carefully, reading not just his words, but his intentions… “Tell me more about this vision,” Bob said, folding his hands on the table.

Michael’s excitement grew as he painted his picture, gesticulating with typical enthusiasm. “Picture this: your spiritual lyrics with my melodies and production values. Your authentic message
reaching mainstream audiences who have never heard conscious music. We could reach 100 million people with messages about unity, love, and social justice.” Michael outlined the scope of his vision with genuine passion.

Record executives had estimated the project could generate over $50 million in revenue.

The tour would hit every major American city, introducing reggae to audiences who had never heard conscious music before.

Bob listened intently, occasionally nodding, but his eyes never left Michael’s face.

Across the table, he could sense Michael’s genuine enthusiasm—but also the fundamental misunderstanding that lay beneath the proposal.

“And how would this collaboration work practically?” Bob asked quietly. “Would my message change to fit your audience or would your audience change to receive my message?”

The question hung in the air between them like smoke from sacred fire.

Michael hadn’t expected such a direct philosophical challenge, and Bob’s steady gaze made it impossible to avoid the deeper implications of what he was proposing.

“We could find a middle ground, hopefully” Michael suggested. “Keep your message but make it more accessible to mainstream audiences who might not be ready for the full intensity of Rastapharian philosophy.”

Bob leaned back slightly, creating physical space that somehow made his next question more powerful. “What does more accessible mean, Michael?”

Sitting across from Bob in the intimate setting of the suite, Michael felt the weight of having to articulate something he’d never fully examined.

“Maybe less political content, more universal themes like love and unity that don’t make people uncomfortable—songs that can play on mainstream radio without causing controversy.”

Bob’s response was gentle but penetrating, his voice cutting through Michael’s commercial enthusiasm like truth through illusion.

“Universal love that avoids uncomfortable truths isn’t universal love, Michael. It’s comfortable love. And comfortable love never changed anything.”

The face-to-face setting made every word feel more significant, more personal.

Michael could see the compassion in Bob’s eyes, but also the unwavering commitment to principles that couldn’t be compromised for any amount of success.

Bob continued with an insight that would haunt Michael for years. “When you perform, Michael, what are you trying to accomplish? What do you want people to carry with them when they leave your concert?

Michael straightened in his chair, suddenly feeling like a student being examined by a master teacher. “I want to entertain people, make them happy, give them an escape from their problems, and I want to wake people up.”

Bob replied, his voice carrying the same authority that made his music so powerful. (In contrast, explaining what he seeks to accomplish when performing, Bob said): “To help them understand their problems and find the strength to solve them. Both callings have value, but they cannot be the same thing.” Bob’s voice took on the teaching quality that made his conversations as influential as his songs.

“Michael, you have tremendous talent, tremendous gifts from Jah. Your ability to move people through music is extraordinary. But this collaboration you are proposing—it would require one of us to compromise our essential nature.”

The conversation continued for over an hour with Bob patiently explaining his philosophy while Michael tried desperately to find ways to make the collaboration work.

But sitting face-to-face, seeing Bob’s unwavering spiritual commitment up close, Michael began to understand that this wasn’t about business strategy or creative compromise.

It was about two fundamentally different approaches to the purpose of music.

Bob continued with profound gentleness. “When Marcus Garvey spoke about black pride, white people were uncomfortable. When Martin Luther King spoke about justice, white people were uncomfortable. When Jesus spoke about loving your enemies, everyone was uncomfortable. Discomfort is often the first sign that consciousness is awakening.”

Bob paused, allowing his words to settle. “When you perform, you give people what they want—happiness, excitement, escape. When I perform, I give people what they need—truth, consciousness, spiritual awakening. Both serve Jah’s purpose, but they cannot be the same thing.”

“But think about the impact we could have together”, Michael said desperately, leaning forward across the table. “The number of people we could reach with positive messages.”

Bob’s response became legendary among those who witnessed the meeting. “Michael, reaching many people with a diluted message is less powerful than reaching fewer people with a pure message. Quality of consciousness matters more than quantity of audience. Better to awaken one person completely than to entertain a million people temporarily.”

Michael felt the collaboration slipping away, but he made one last attempt. “What if we could do it your way? What if I adapted my style to your message instead of asking you to adapt your message to my style?”

Bob appreciated Michael’s willingness to consider this approach, but his answer revealed the deeper issue.

“Michael, you are already perfect at what Jah called you to do. Your gift for bringing joy to people is precious and necessary. Don’t diminish that gift by trying to become something you are not. And don’t ask me to diminish mine by becoming something I am not.”

As their meeting neared its end, Bob said: “You are a star, and stars are meant to shine bright and bring joy to people. I respect that calling deeply. But I am not a star. I am a messenger. And messengers must deliver the message exactly as Jah gave it to them.”

Bob stood slowly, extending his hand across the table. “We both serve the same creator through different expressions. Your path is perfect for you. Mine is perfect for me. To change either would diminish both.”

When they shook hands, Michael felt both disappointed and enlightened. Bob had rejected the biggest collaboration offer in music history…The proposed Michael Jackson–Bob Marley collaboration never happened. But both artists went on to achieve their destinies authentically.

Michael became the undisputed king of pop, using entertainment to bring joy to billions worldwide. Bob remained reggae’s spiritual messenger until his death in 1981.

Years later, Michael would credit that face-to-face meeting with teaching him about artistic integrity. “Bob taught me”, Michael said, “that every artist has to choose between being famous and being important.”

Bob chose importance over fame every time…When Bob died in 1981, Michael was among the artistes who publicly honored his memory…The face-to-face meeting that could have created music history’s greatest collaboration instead created something more valuable—mutual understanding between two masters who recognized that their separate paths served the same goal of uplifting humanity through music.

The Michael Jackson–Bob Marley collaboration that never was reminds us that sometimes the most important artistic decisions are the ones that prioritize authenticity over opportunity, message over money, and spiritual integrity over commercial success.”

We can pigeon-hole Fela and Bob Marley together and Michael Jackson and Whizkid likewise.

Everyone is blessed with talents; everyone is used by God for different purposes; everyone is a star in his own right; everyone, like Frantz Fanon posits, discovers their mission, to fulfil or betray it, taking different routes.

There is no basis, therefore, for comparison. We cannot compare apples with oranges.

Also read: Lateef Adedimeji Congratulates Ogun State on 50th Anniversary

Financial success and audience followership are poor yardsticks of measurement because conscious music (Bob Marley/Fela) is not the same as entertainment music (Michael Jackson/Whizkid).

Opinion

Why Nigeria needs the All-Nigeria Rotary Peace Summit

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rotary

The All-Nigeria Rotary Peace Summit will examine how good governance, justice and equity can help Nigeria build lasting peace

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Entertainment

Reel Momentum: Nollywood Releases That Defined Q3

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Nollywood

By Olayinka Akanbi

The third quarter of 2026 offered a clear picture of where Nollywood stands today. Across July, August and September, filmmakers told stories centred on family, culture, history, identity and everyday life.

Some films looked inward at personal struggles, while others drew from folklore, real-life events and Nigeria’s past.

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There were also signs of change in how films are distributed, with streaming platforms increasing their investment in original content.

July was defined by personal, character-driven stories.

One of the standout releases was Alechenu, directed by Biodun Stephen, which followed the journey of an autistic teenager travelling from Oyo State to Lagos in search of the mother he had never met.

The film explored themes of family, identity and perseverance through a simple yet emotional narrative.

Around the same period, Lami focused on the life of a retired soldier grappling with the emotional effects of war, examining trauma, healing and second chances through the experience of one man trying to rebuild his life.

Another notable release, The Return of Omotara Johnson, marked the return of veteran actress Bukky Wright in a crime drama centred on family secrets and unresolved past conflicts.

Later in the month, films such as Wire Wire and Njem: The Journey continued the trend of storytelling rooted in real-life experiences and social issues.

In August, attention shifted towards history, tradition and culture.

The month opened with Sweet 16, a coming-of-age family drama that also drew attention as one of the final completed performances by the late actor Alexx Ekubo.

This was followed by Ikenga: The Last Festival, a story centred on tradition, power and destiny, featuring veteran actors Pete Edochie and Patience Ozokwor.

Released around the same period, Aláhùn (The Weaver) drew heavily from Yoruba mythology and folklore, highlighting a growing interest in indigenous narratives and local fantasy storytelling.

Towards the end of the month, King Kosoko revisited the life of one of Lagos’ most influential historical rulers, reflecting a broader shift by filmmakers towards exploring Nigeria’s history on screen.

By September, the conversation had expanded beyond storytelling to include audience engagement and distribution models.

One of the month’s notable releases was Mama Deola’s Wedding Story, which became the first original production from Nigerian streaming platform Kava. Its release underscored the increasing role of local streaming services in shaping the industry.

Other films focused on contemporary life and younger audiences.

Ordinary People examined the lives of everyday Nigerians, while 19 explored themes of identity, ambition and relationships from a youthful perspective.

One Gidi Night captured the rhythm and character of Lagos, using the city itself as a central narrative element.

The month also saw the release of Black Market, which generated widespread attention due to efforts to stage a Guinness World Record attempt for the largest film screening audience at Tafawa Balewa Square in Lagos.

Taken together, these releases reflect an industry in transition one that is expanding its storytelling range while experimenting with new platforms, audiences and formats.

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Nollywood is not only telling more stories; it is also redefining how those stories are created, distributed and experienced.

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Opinion

Rotary hails IPDG Lanre Adedoyin polio drive

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Rotary

By Victor Ojelabi,

The Rotary Foundation has recognised the polio eradication efforts of Rotary International District 9112 under Immediate Past District Governor Lanre Adedoyin, following the District’s transfer of District Designated Funds to the PolioPlus Fund during the 2025 to 2026 Rotary year, a contribution acknowledged recently, as part of the global funding effort to protect children from the disease.

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The recognition brings a fitting international dimension to a Rotary year in which Adedoyin, a lawyer and member of the Rotary Club of Surulere South, repeatedly placed polio eradication among District 9112’s major humanitarian priorities across Lagos and Ogun states.

In a message addressed to District 9112, The Rotary Foundation thanked the District for committing its District Designated Funds to the campaign, saying the collective support from Rotary districts helped the organisation reach its fundraising target and secure matching funds that translate into US$150 million for polio eradication.

“Your support helped Rotary reach our goal and secure the matching funds that translate into US$150 million toward eradicating polio,” the Foundation said.

The money has consequences far beyond the balance sheet.

According to the Foundation, polio funding supports frontline workers taking vaccines into remote communities, environmental surveillance capable of detecting the virus in wastewater and programmes designed to interrupt transmission in affected areas.

The Foundation said the continuing effort was particularly important in Afghanistan and Pakistan, the only two countries where wild poliovirus remains endemic.

That assessment is consistent with Rotary International’s latest account of the global campaign.

Rotary says its partnership with the Gates Foundation generates up to US$150 million annually for polio eradication, with Rotary raising US$50 million and the Foundation providing a two-to-one match.

The money supports vaccine procurement, social mobilisation, outbreak response, surveillance and other operational requirements.

Rotary’s involvement stretches back decades. Its first polio vaccination project began in the Philippines in 1979, and the organisation became a founding partner of the Global Polio Eradication Initiative in 1988. Since then, global polio cases have fallen by 99.9 per cent.

For Nigeria, the story carries particular resonance.

The country recorded its last case of wild poliovirus in Borno State in August 2016.

Four years later, the World Health Organisation African Region was formally certified free of wild poliovirus, leaving Afghanistan and Pakistan as the remaining countries with endemic transmission.

That historic achievement, however, did not mean the end of the polio challenge in Nigeria.

Circulating vaccine-derived poliovirus can still emerge in communities with low immunisation coverage, making vaccination and surveillance essential even in countries that have eliminated wild poliovirus.

It was against that backdrop that the IPDG’s polio drive developed during the 2025 to 2026 Rotary year.

Adedoyin, who became the second District Governor of District 9112 following the division of the former District 9110, had signalled early in his tenure that healthcare would remain a central part of the District’s service programme.

His installation in Lagos in July 2025 marked the beginning of a year that subsequently combined fundraising with grassroots advocacy and support for health workers.

By September 2025, the District had held a PolioPlus seminar at which Adedoyin warned against complacency simply because wild poliovirus had disappeared from Nigeria. District records show that the campaign remained prominent in its programme in the months that followed.

In October, Districts 9111 and 9112 took the End Polio Now message beyond conventional conference halls with a joint train journey from Lagos to Abeokuta.

Led by Adedoyin and then District 9111 Governor Henry Akinyele, alongside Nigeria National PolioPlus Committee Chairman Joshua Hassan and other Rotary leaders, the initiative turned the train journey into a public awareness campaign for polio eradication.

District 9112 also took the message to communities in Ogun State, including a roughly 10-kilometre Keep Polio @ Zero awareness walk in Sagamu aimed particularly at encouraging parents and guardians to ensure that children receive their vaccinations.

In Lagos, the campaign moved from advocacy to practical support.

District 9112 donated 100 pairs of rain boots and 200 raincoats to the Lagos State Primary Health Care Board in October 2025 to assist health personnel working on polio eradication during the rainy season. The intervention was valued at about ₦1.6 million.

Adedoyin made the District’s position clear at the presentation.

“Our commitment to ending polio is absolute,” Adedoyin said. “We will continue working with the Lagos State Government and our partners until polio is completely wiped out.”

Another significant moment came towards the end of his tenure.

In June 2026, District 9112 announced that it had raised US$13,000 through the World’s Greatest Meal initiative for The Rotary Foundation’s PolioPlus Fund.

The contribution was described by World’s Greatest Meal Committee Chairman Tokunbo Opanubi as one of the highest recorded by the District through the initiative.

The US$13,000 contribution is separate from the District Designated Funds now acknowledged by The Rotary Foundation.

Together, however, the initiatives illustrate the different channels through which District 9112 supported the global eradication campaign during Adedoyin’s tenure.

District Designated Funds form part of The Rotary Foundation’s funding system and allow Rotary districts to direct portions of avail

IPDG Lanre Adedoyin with wife at a Rotary event recently

able Foundation resources towards eligible programmes.

PolioPlus is one of the avenues through which districts can deploy such resources in support of Rotary’s eradication objective.

The Foundation’s latest acknowledgement therefore adds another layer to District 9112’s polio record for the 2025 to 2026 year.

It also demonstrates the multiplier effect behind Rotary’s funding model.

A contribution originating from clubs and districts can ultimately support a much larger global pool used for vaccines, surveillance, community mobilisation and the difficult task of reaching children in areas affected by conflict, insecurity or geographical isolation.

The stakes remain considerable.

Polio is a potentially fatal infectious disease that primarily affects young children and can invade the nervous system, causing irreversible paralysis.

Although its global footprint has been reduced dramatically, Rotary cautions that eradication requires sustained vaccination and surveillance until transmission has been stopped everywhere.

The Foundation’s message to District 9112 captured that unfinished mission.

It thanked the District for supporting the PolioPlus Fund and helping move the world closer to the point where “no child is threatened by this disease ever again”.

For Adedoyin, who handed over the governorship of District 9112 at the end of the 2025 to 2026 Rotary year, the recognition offers a powerful postscript to a year in which the District’s contribution was measured not only in fundraising figures, but also in public advocacy, community mobilisation and support for those working closest to vulnerable children.

Also read: Rotary Club of Lagos Strengthens Traders With Fresh ₦6m Business Grant

And for District 9112, the acknowledgement connects a local Rotary story from Lagos and Ogun states to a much larger global ambition: ensuring that the final cases of polio become part of history rather than the beginning of another outbreak.

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