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House Probes MOWAA Over Benin Bronzes Controversy

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House Probes MOWAA

House probes MOWAA in Edo State over governance, funding, and foreign influence as Nigeria receives repatriated Benin Bronzes

The House of Representatives on Tuesday launched a major investigation into the Museum of West African Art (MOWAA) in Benin City, Edo State, following concerns over its governance, funding, and potential foreign influence.

Also readBenin Bronzes repatriation Marks Historic Cultural Victory

The probe was prompted by reports that the museum’s management may be ceding undue control to private or foreign entities, raising questions about Nigeria’s sovereignty over its cultural patrimony.

Tensions escalated recently when a museum exhibition was abruptly cancelled after protesters disrupted the event, forcing police intervention to protect attending foreign envoys.

Lawmakers voted for the investigation after adopting a motion of urgent national importance sponsored by Esosa Iyawe and co-sponsored by six Edo State representatives, including Julius Ihonvbere, Peter Akpatason, Billy Osawaru, Omosede Igbinedion, Marcus Onobun, and Okojie Odianosen.

Leading the debate, Iyawe cautioned that MOWAA, conceived as a premier hub for West African heritage, must not become a “backdoor for foreign entities to influence or control Nigeria’s cultural property.”

He stressed that international agreements on the repatriation of the Benin Bronzes were based on the principle that the artifacts would remain under Nigerian public trust and control.

Lawmakers highlighted additional issues regarding the museum’s legal framework, donor arrangements, tax waivers, and land allocations.

Ihonvbere emphasised transparency, saying, “We cannot allow any ambiguity around ownership, land allocation, tax waivers, or foreign partnerships. Nigeria’s cultural assets cannot be traded off under the guise of development support.”

Omosede Igbinedion drew attention to the sidelining of traditional authorities, including the Palace of the Oba of Benin, stating, “The custodians of the Benin heritage deserve full transparency and involvement.

Their exclusion raises legitimate concerns.” Marcus Onobun added that opaque funding sources and governance structures could create conflicts of interest and expose national heritage to exploitation.

The House resolved to establish an ad hoc committee tasked with scrutinising MOWAA’s establishment, funding model, donor influence, and governance.

The panel is expected to assess the level of government oversight, the safeguards protecting Nigeria’s ownership of cultural assets, and report back within four weeks.

Speaker Abbas Tajudeen assured members that Nigeria’s heritage would be vigorously defended. “Our heritage is non-negotiable. This investigation is necessary to ensure transparency and national interest,” he said.

The investigation coincides with Nigeria’s renewed momentum in restitution efforts. Just a day prior, the Ministry of Arts, Culture and Creative Economy received two Benin Bronzes—a bronze relief plaque and a commemorative head—returned from the Museum of Fine Arts, Boston.

Also readBenin City Land Returned to State Central Hospital after Revocation

The handover, overseen by the Ministry of Foreign Affairs and witnessed by high chiefs representing the Oba of Benin, adds to the 285 artifacts repatriated over the past eight years from the United States, the Netherlands, and the UK’s Horniman Museum.

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WAKE UP! Art Exhibition Returns for a Second Act

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WAKE UP

The contemporary art and photography exhibition “Wake Up!” is back again for a second edition.

Curated by Awele Onwordi, Wake Up! 2 exhibition pays homage to the Nigerian youth and burgeoning street culture which many of its contributing artists reference in their works.

Also read: Five rising stars battle for 2026 Headies Next Rated

Titled “Young, Wild, Free”, the exhibition celebrates the creativity, resilience, freedom and cultural influence found in Nigerian youth.

Taking aim at societal issues and economic concerns, the exhibit reflects the youth and their refusal to compromise or bow despite all the challenges stacked against them while charting youth culture through art, music, fashion, skateboarding, photography and community.

The exhibition will be held, once again, at the Angel and Muse Gallery at 25 Sumbo Jibowu street off Ribadu Road off Awolowo Road in Ikoyi.

It will open on Saturday 5 September 2026 and will run until 11 September 2026
This second edition which focuses on celebrating, nurturing and exploring artistic practices rooted in youth and street culture will feature works from DENCITY and SUPERGLIDER HOUSE.

Exhibiting artists include Ajilore Kehinde – their work is deeply influenced by Nigerian street culture and works of other artists like Slawn, Peters Ejiro, etc, Chuka Onwordi – graphic designer who embodies themes of death, melancholy and beauty in his works, ZIDYEP – Abuja based creative whose works move between digital and physical spaces through art, graphic design and air brushing , Franklyn Okoye – graphic designer and artist whose works explore themes of identity and hyper-reality, Awele Onwordi – founder & curator of WAKE UP and multidisciplinary artist whose practice spans character art, creative logo design, album covers and more , Oluchi Kogolo – digital illustrator whose work explores street culture, personality and storytelling through a raw and playful visual style and Kozetuo Apeji – multidisciplinary artists who work explores experimental approaches to problem solving through both digital and traditional art forms.


Commenting on the exhibition in her curatorial statement, Awele noted that “despite economic instability, limited opportunities and socio-political challenges, Nigerian youth continue to shape culture through music, fashion, art, skateboarding, raves, photography and community.”

Also read: Five rising stars battle for 2026 Headies Next Rated

Continuing and harping on the raison d’etre of the exhibition she said, “Young, Wild and Free exists to celebrate Nigerian youth while also creating a platform that supports and amplifies them.”

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Isese Day 2026: Sotayo Gaga, Farulee Light Up Lagos Festival

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Isese Day

Isese Day 2026 brought colourful Yoruba celebrations to Lagos as Sotayo Gaga and Farulee joined the festivities and attracted attention from fans (more…)

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Oyebanji backs bold cultural growth at Ekiti festival

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Oyebanji

Oyebanji cultural growth plans aim to transform Ekiti’s Udiroko Festival into a major tourism, jobs and investment platform while preserving heritage

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