Culture
Lagos Vintage Car Enthusiasts Push for Tourism and Policy Support
Published
5 months agoon

Vintage car community Lagos calls for government and private sector support to develop classic car exhibitions into tourism and cultural attractions across Nigeria and West Africa
A growing vintage car community in Lagos has called on both government and private sector stakeholders to support the transformation of classic car exhibitions into viable tourism and cultural attractions across Nigeria and the West African region.
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Members of the Classic Cars Club of Nigeria made the appeal during their “Classic Cars & Coffee Drive” event, where they highlighted the steady growth of the community since its inception in 2016.
According to Progenitor-member Mr. Dapo Otunla, the group has expanded into a network of over 120 members and continues to gain momentum through regular events and engagements.
The vintage car community Lagos initiative has become known for hosting themed gatherings such as Independence Day drives and Father’s Day exhibitions, which attract both automobile enthusiasts and members of the public.
These events have helped to build a culture around classic car appreciation while fostering social interaction among participants.
Otunla explained that beyond major exhibitions, the club organises informal meet-ups under the “Classic Cars and Coffee” concept, designed to strengthen community ties and encourage wider participation, including individuals who may not own vehicles but share an interest in vintage automobiles.
He noted that the platform has also helped increase visibility for collectors who traditionally keep their vehicles in private storage, creating opportunities for collaboration and shared experiences within the ecosystem.
The group is now exploring expansion beyond Nigeria, with plans to host cross-border exhibitions that would promote regional integration and cultural exchange among classic car enthusiasts across West Africa.
According to Otunla, such initiatives would require government backing to ease logistics and facilitate participation.
He emphasised that with adequate support, Nigeria could position itself as a hub for classic car tourism, attracting visitors and participants from neighbouring countries while showcasing its automotive heritage.
The club also called for policy interventions such as import duty waivers, tax incentives, and VAT relief on classic vehicles, arguing that such measures would encourage ownership, restoration, and public exhibitions.
Speaking on the technical side of the industry, a vintage car restorer based in Abuja, Eugene, popularly known as Artman, highlighted the challenges involved in sourcing rare parts and restoring vehicles to original condition.
He noted that restoration requires specialised skills and access to international supply chains, with components often sourced from the United States and Europe depending on the vehicle model.
He pointed to iconic vehicles such as the Peugeot 404 and Volkswagen Beetle, noting their historical relevance and continued popularity among collectors and younger enthusiasts.
He also observed a growing trend toward modernising classic vehicles by integrating features such as automatic transmission systems to improve usability.
Also read: Zimbabwe Shuts 28 Unregistered Tourism Establishments
The vintage car community Lagos continues to position itself not only as a hobbyist group but as a potential contributor to Nigeria’s cultural tourism sector, with growing calls for structured support to unlock its economic and social value.
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The contemporary art and photography exhibition “Wake Up!” is back again for a second edition.
Curated by Awele Onwordi, Wake Up! 2 exhibition pays homage to the Nigerian youth and burgeoning street culture which many of its contributing artists reference in their works.
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Titled “Young, Wild, Free”, the exhibition celebrates the creativity, resilience, freedom and cultural influence found in Nigerian youth.
Taking aim at societal issues and economic concerns, the exhibit reflects the youth and their refusal to compromise or bow despite all the challenges stacked against them while charting youth culture through art, music, fashion, skateboarding, photography and community.
The exhibition will be held, once again, at the Angel and Muse Gallery at 25 Sumbo Jibowu street off Ribadu Road off Awolowo Road in Ikoyi.
It will open on Saturday 5 September 2026 and will run until 11 September 2026
This second edition which focuses on celebrating, nurturing and exploring artistic practices rooted in youth and street culture will feature works from DENCITY and SUPERGLIDER HOUSE.
Exhibiting artists include Ajilore Kehinde – their work is deeply influenced by Nigerian street culture and works of other artists like Slawn, Peters Ejiro, etc, Chuka Onwordi – graphic designer who embodies themes of death, melancholy and beauty in his works, ZIDYEP – Abuja based creative whose works move between digital and physical spaces through art, graphic design and air brushing , Franklyn Okoye – graphic designer and artist whose works explore themes of identity and hyper-reality, Awele Onwordi – founder & curator of WAKE UP and multidisciplinary artist whose practice spans character art, creative logo design, album covers and more , Oluchi Kogolo – digital illustrator whose work explores street culture, personality and storytelling through a raw and playful visual style and Kozetuo Apeji – multidisciplinary artists who work explores experimental approaches to problem solving through both digital and traditional art forms.

Commenting on the exhibition in her curatorial statement, Awele noted that “despite economic instability, limited opportunities and socio-political challenges, Nigerian youth continue to shape culture through music, fashion, art, skateboarding, raves, photography and community.”
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Continuing and harping on the raison d’etre of the exhibition she said, “Young, Wild and Free exists to celebrate Nigerian youth while also creating a platform that supports and amplifies them.”
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August 20, 2026
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