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Indigenous Pastors Lead Spiritual Clash Against Uzoiyi Festival

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Indigenous pastors in Umuoji hold spiritual clash prayers against Uzoiyi festival, targeting destructive spirits and idolatry

Indigenous pastors in Umuoji organised what they described as a spiritual clash against “destructive spirits” linked to the Uzoiyi festival on Sunday.

Also read: Adamawa Seminar Highlights Importance of Indigenous Languages

The event, held at the Glorious Divine Grace Assembly in Ireh village, featured warfare prayers, exorcisms, prophetic revelations, and symbolic blood sacrifices.

The convener, Chief Apostle Fidel Chimezie, President of the Nigerian Ministers Project, and Apostle Tony Phillips, Senior Pastor of Glorious Divine Grace Assembly, led the service, warning that the festival fosters idolatry and spiritual oppression.

Apostle Phillips described the Uzoiyi festival as a fétìsh tradition that threatens the destinies of community members, spreads hopelessness, and misleads people spiritually.

He explained that the festival involves invoking the Idemili River goddess, which he claimed carries harmful spiritual influences across the 23 villages of Umuoji.

“Many think it’s just music, masquerades, and fun, but spiritually it goes far beyond ordinary festivity,” Phillips said, adding that the prayers included blocking the marine goddess’s destructive influence through angelic intervention.

Chief Apostle Chimezie echoed these concerns, noting that the festival, while appearing cultural, involves worship of idols and marine spirits, aimed at undermining the community’s destinies.

“God instructed me to gather ministers to stand in the gap and pray against this evil influence,” Chimezie said, explaining that symbolic blood sacrifices were part of the ritual to neutralise malevolent forces.

The festival itself is an annual cultural event that celebrates Igbo heritage, particularly the Idemili River goddess, to ensure a bountiful harvest and rainfall. It features masquerades, music, and dance, showcasing the artistry of Umuoji’s 23 villages.

Pastors leading the prayers distinguished between cultural heritage and idolatry, arguing that authentic Igbo tradition lies in lifestyle, dress, and cuisine not spiritual ceremonies involving marine deities.

Also read: Adire Fashion: Lagos backs global push for indigenous textiles

The spiritual clash in Umuoji has reignited debates about the intersection of faith and tradition, highlighting how some clerics interpret indigenous festivals as potential threats to spiritual wellbeing.

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Entertainment

Orlando Owoh Music Festival Set for November 7 in Lagos

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Orlando Owoh

Orlando Owoh Music Festival 2026 holds November 7 at KYMA Beach, Lagos, celebrating the highlife legend’s legacy and distinctive Kenery sound

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Entertainment

Chinazaekpere Chukwu’s ‘Her Daughters’ Mother’ Heads to London Festival

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‘Her Daughters’ Mother’
Her Daughters’ Mother, Chinazaekpere Chukwu’s feature directorial debut, has been selected for Film Africa 2026 in London

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Culture

OLOJO….Ile Ife’s September Gift To Culture

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OLOJO

By Halima Adaba,

 

It was a featubal if the people. It was for the anciebt town of Ile Ife, which the Yoruba race refards as the Source.

Also read: Olojo Festival 2026: Ooni Urges Leaders to Prioritise Citizens

And ut was a festivsl for the King, Arole Oduduwa, Oonirisa, Adeyeye Enitan Ogunwusi, Ojaja II.

And so between September 24 and 28th 2026, the annual featuval dazzjed in all its white glory.

Tge Monarch paid the traditional ancestral homage and offered propitiation as part of the sacred rites of the Olojo Festival.
It was a powerful expression of Yoruba heritage, spirituality, and enduring tradition.

Call it a collection of beautiful moments, faces, colours and cultural expressions.

Every frame tells a story.

Every face carries the energy.

Every moment keeps the heritage alive.

Undoubtedly one of the most sacred cultural celebrations in Ilé-Ifẹ̀. It marked a day associated with creation, thanksgiving, ancestral heritage, and the sacred appearance of the Ooni of Ife wearing the revered Aàrẹ crown.

There were also the devotees of the famed god of thunder – Sàngó who were hardly conspicuous at the festival.

Many other traditional groups came out with candor, showing a powerful expression of Yoruba cultural identity, spiritual devotion, and respect for the ancient traditions of Ilé-Ifẹ̀.

Devotees of Sàngó bekieved the ‘appearance’ of the god of thunder on Seotember 26th could be understood as a symbolic meeting of ancestral heritage, spiritual devotion, and the celebration of creation.

It was a moment when the sounds of drums, chants, and traditional praise poetry brought the history of the Yoruba people to life.

Although Olojo is closely associated with Ogun, the god of iron, and the sacred traditions of Ile-Ife, the presence of Sàngó devotees reflected the rich diversity of Yoruba spiritual heritage.

Also read: Olojo Festival 2026: Ooni Urges Leaders to Prioritise Citizens

As a participant enthused at the festival, “To witness Sàngó Olúkòso emerge on Olojo Festival day is to witness a living expression of history, identity, and ancestral pride.”

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