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Ogbomoso Cultural Tourism Development Sparks Unforgettable Progress amid High Hopes

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Ogbomoso cultural tourism development

Ogbomoso cultural tourism development committee charged with delivering lasting legacy and Carnival Village dream to elevate city’s global cultural status

Ogbomoso cultural tourism development stands at a pivotal point in its journey. The newly inaugurated Cultural and Tourism Committee must now channel its energy into legacy creation, moving far beyond ceremonial introductions.

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His Imperial Majesty, Oba Ghandi Afolabi Olaoye Orumogege III, set the tone on Sunday with a stirring call to action. The focus must now shift to performance, sustainability, and vision.

Committee members, led by Chief Olusegun Odebunmi, have a significant duty ahead. They must commit to selfless service, leaving ego aside in favour of collective progress.

According to palace sources, “The Soun believes in people’s capacity when given purpose-driven assignments. This is no different.” This mission should be guided by integrity, innovation, and a drive to build something of lasting value.

Their appointment should not merely be a source of pride but an opportunity to justify their inclusion through visible impact. Every member brings experience and recognition, but now, results must take precedence.

Building on the success of the inaugural carnival, they must aim for new heights, using the continuity of past efforts as a strong foundation.

The inaugural carnival achieved massive success. It projected Ogbomoso into the global tourism spotlight and revealed the community’s cultural depth.

However, much remains to be done. If the aim is to become a leading cultural tourism hub, then consistency, innovation, and infrastructure are indispensable.

The establishment of a permanent site, a Carnival Village, remains the most pressing task. Oba Ghandi has already floated this idea during a townhall meeting.

Land availability may pose a challenge, but it is far from insurmountable. A carefully acquired one to two hectares will provide enough space for a central performance arena, processional routes, and advertising zones. The financial demands are high, but so is the long-term reward.

A Carnival Village will serve multiple purposes. During off-season periods, the site can be hired for concerts, crusades, weddings, and community events.

It will stimulate local economy, encourage job creation, and drive year-round engagement with the space. Furthermore, the inclusion of small shops and pavilions for participating cultural groups will enhance ownership and investment in the festival.

Such a move will elevate the festival’s international profile. It also positions it for UNESCO recognition, which will increase its credibility and prestige globally.

Moreover, a permanent space deters political meddling and logistical hiccups, which almost marred the first edition. Government-linked detractors had nearly thwarted the event by blocking access to public facilities.

That setback was averted when the governor stepped in at the last minute. A permanent, independent venue prevents recurrence.

This is the Cultural and Tourism Committee’s moment. Under the watch of the Okanlomo of Ogbomosoland, a man praised for his loyalty and determination, success seems possible.

Others on the committee—Dr. Oladejo Akanni, Mr. Muyiwa Oke, Engr. Tunde Ige, Mrs Mosunmola Olojede, Prince Oyebamiji Oyedeji, and others—have their part to play too.

All hands must now be on deck to make this carnival a world-class event. Their legacy awaits, not just in the city’s physical transformation, but in the cultural pride they ignite.

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This is a unique mission for Ogbomoso cultural tourism development, and if successful, it will redefine the city’s narrative for generations.

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WAKE UP! Art Exhibition Returns for a Second Act

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WAKE UP

The contemporary art and photography exhibition “Wake Up!” is back again for a second edition.

Curated by Awele Onwordi, Wake Up! 2 exhibition pays homage to the Nigerian youth and burgeoning street culture which many of its contributing artists reference in their works.

Also read: Five rising stars battle for 2026 Headies Next Rated

Titled “Young, Wild, Free”, the exhibition celebrates the creativity, resilience, freedom and cultural influence found in Nigerian youth.

Taking aim at societal issues and economic concerns, the exhibit reflects the youth and their refusal to compromise or bow despite all the challenges stacked against them while charting youth culture through art, music, fashion, skateboarding, photography and community.

The exhibition will be held, once again, at the Angel and Muse Gallery at 25 Sumbo Jibowu street off Ribadu Road off Awolowo Road in Ikoyi.

It will open on Saturday 5 September 2026 and will run until 11 September 2026
This second edition which focuses on celebrating, nurturing and exploring artistic practices rooted in youth and street culture will feature works from DENCITY and SUPERGLIDER HOUSE.

Exhibiting artists include Ajilore Kehinde – their work is deeply influenced by Nigerian street culture and works of other artists like Slawn, Peters Ejiro, etc, Chuka Onwordi – graphic designer who embodies themes of death, melancholy and beauty in his works, ZIDYEP – Abuja based creative whose works move between digital and physical spaces through art, graphic design and air brushing , Franklyn Okoye – graphic designer and artist whose works explore themes of identity and hyper-reality, Awele Onwordi – founder & curator of WAKE UP and multidisciplinary artist whose practice spans character art, creative logo design, album covers and more , Oluchi Kogolo – digital illustrator whose work explores street culture, personality and storytelling through a raw and playful visual style and Kozetuo Apeji – multidisciplinary artists who work explores experimental approaches to problem solving through both digital and traditional art forms.


Commenting on the exhibition in her curatorial statement, Awele noted that “despite economic instability, limited opportunities and socio-political challenges, Nigerian youth continue to shape culture through music, fashion, art, skateboarding, raves, photography and community.”

Also read: Five rising stars battle for 2026 Headies Next Rated

Continuing and harping on the raison d’etre of the exhibition she said, “Young, Wild and Free exists to celebrate Nigerian youth while also creating a platform that supports and amplifies them.”

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Isese Day 2026: Sotayo Gaga, Farulee Light Up Lagos Festival

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Isese Day

Isese Day 2026 brought colourful Yoruba celebrations to Lagos as Sotayo Gaga and Farulee joined the festivities and attracted attention from fans (more…)

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Oyebanji backs bold cultural growth at Ekiti festival

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Oyebanji

Oyebanji cultural growth plans aim to transform Ekiti’s Udiroko Festival into a major tourism, jobs and investment platform while preserving heritage

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