Culture
Nigeria to host inaugural World Orisa Congress, Aims for cultural, economic growth
Published
2 years agoon
By
Lanre
Nigeria is preparing to host the inaugural World Orisa Congress, a major cultural event that will connect Orisa practitioners worldwide and generate significant economic impact
Nigeria is set to host the first-ever World Orisa Congress, a groundbreaking event that will unite practitioners, scholars, and enthusiasts of the Orisa tradition from around the world.
Also read: Katsina State to host 2025 ECOWAS food, cultural festival
Announced by Otunba Biodun Ajiboye, Executive Secretary and CEO of the National Institute for Cultural Orientation (NICO), the congress will be an annual gathering designed to highlight the global significance of the Orisa tradition and the Yoruba traditional religion.
Ajiboye made the announcement during a press conference in Abuja on Thursday, where he revealed that preparations for the congress were already in progress.
The event is expected to draw participants from countries like Brazil, Cuba, Trinidad and Tobago, and other Caribbean nations where the Orisa tradition has deep roots.
Though the exact date has yet to be set, the congress is anticipated to be a major cultural and spiritual event for Orisa devotees worldwide.
The World Orisa Congress is seen as a significant step toward reconnecting Africans in the Diaspora with their cultural heritage.
Ajiboye emphasized that the congress represents a powerful affirmation of cultural identity, fostering a global sense of belonging among people of African descent.
With over 500 million people around the world practicing African traditional religions, including the Orisa tradition, the event will provide a unique opportunity to unite these global communities.
Ajiboye highlighted the long-standing desire among the African Diaspora to reconnect with their ancestral roots, particularly among those descended from individuals taken to the Americas through the transatlantic slave trade.
In Brazil alone, there are over 89 million people with connections to the Orisa tradition, a number that reflects the potential impact of the congress.
The World Orisa Congress will also serve as a platform for cultural exchange, offering opportunities to share knowledge, experiences, and best practices related to the promotion and preservation of Nigeria’s cultural heritage.
Ajiboye stressed that the event will contribute to showcasing Nigeria’s rich cultural history on the global stage.
In addition to its cultural significance, the congress holds substantial economic potential. Ajiboye projected that the event could generate between five to six billion U.S. dollars, with Nigeria expected to host over one million visitors.
This influx of visitors would provide a boost to Nigeria’s tourism and cultural trade, while also promoting global understanding and peace.
Ajiboye also emphasized the potential for the congress to contribute to Nigeria’s economic growth, particularly in the context of President Bola Ahmed Tinubu’s Renewed Hope Agenda.
By fostering cross-cultural exchange and attracting global attention, the event will help diversify Nigeria’s economy and increase foreign exchange earnings.
Ajiboye outlined the broader goals of the World Orisa Congress, which include breaking down cultural barriers, promoting empathy, and positioning Nigeria as a leader in cultural diplomacy.
The congress will leverage traditional institutions as cultural ambassadors, strengthening Nigeria’s standing as a top cultural tourism destination.
By bringing together people of Orisa descent from around the world, the congress will build a sustainable and diversified revenue stream for Nigeria.
It will also create a lasting legacy of cooperation and cultural understanding, with the potential to attract nearly one million visitors annually, generating consistent economic benefits.
Through this initiative, Nigeria is positioning itself to be a key player in global cultural tourism and to harness the power of its rich heritage for both spiritual and economic advancement.
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The contemporary art and photography exhibition “Wake Up!” is back again for a second edition.
Curated by Awele Onwordi, Wake Up! 2 exhibition pays homage to the Nigerian youth and burgeoning street culture which many of its contributing artists reference in their works.
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Titled “Young, Wild, Free”, the exhibition celebrates the creativity, resilience, freedom and cultural influence found in Nigerian youth.
Taking aim at societal issues and economic concerns, the exhibit reflects the youth and their refusal to compromise or bow despite all the challenges stacked against them while charting youth culture through art, music, fashion, skateboarding, photography and community.
The exhibition will be held, once again, at the Angel and Muse Gallery at 25 Sumbo Jibowu street off Ribadu Road off Awolowo Road in Ikoyi.
It will open on Saturday 5 September 2026 and will run until 11 September 2026
This second edition which focuses on celebrating, nurturing and exploring artistic practices rooted in youth and street culture will feature works from DENCITY and SUPERGLIDER HOUSE.
Exhibiting artists include Ajilore Kehinde – their work is deeply influenced by Nigerian street culture and works of other artists like Slawn, Peters Ejiro, etc, Chuka Onwordi – graphic designer who embodies themes of death, melancholy and beauty in his works, ZIDYEP – Abuja based creative whose works move between digital and physical spaces through art, graphic design and air brushing , Franklyn Okoye – graphic designer and artist whose works explore themes of identity and hyper-reality, Awele Onwordi – founder & curator of WAKE UP and multidisciplinary artist whose practice spans character art, creative logo design, album covers and more , Oluchi Kogolo – digital illustrator whose work explores street culture, personality and storytelling through a raw and playful visual style and Kozetuo Apeji – multidisciplinary artists who work explores experimental approaches to problem solving through both digital and traditional art forms.

Commenting on the exhibition in her curatorial statement, Awele noted that “despite economic instability, limited opportunities and socio-political challenges, Nigerian youth continue to shape culture through music, fashion, art, skateboarding, raves, photography and community.”
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Continuing and harping on the raison d’etre of the exhibition she said, “Young, Wild and Free exists to celebrate Nigerian youth while also creating a platform that supports and amplifies them.”
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