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Rotary Public Image Seminar Encourages Authentic Rotary Narratives

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Rotary Public Image Seminar

Rotary Public Image Seminar inspires credibility and impact as Ehi Braimah, Reuben Abati and leaders urge Rotarians to tell powerful stories

The atmosphere inside The Rotary Centre, Ikeja GRA, was one of purpose and quiet excitement on Tuesday, August 26, 2025, as Rotarians, Rotaractors, and communication professionals gathered for the District 9112 Public Image Seminar.

Also read: Rotary District 9112 Public Image Seminar Focuses on Impactful Storytelling

The event, led by Assistant Regional Public Image Coordinator (ARPIC) and the chairman of District 9112 Public Image Committee, Ehi Braimah, and his committee members, was not just another meeting; it was a deep dive into how Rotary’s story should be told, perceived, and remembered.

With the theme focused on building a compliant and impactful Rotary image, the seminar reflected a larger ambition: equipping members with the skills to strengthen visibility, credibility, and influence.

The keynote address came from veteran journalist and former presidential spokesman Dr. Reuben Abati, who spoke passionately on Strategic Media Engagements to Advance Rotary’s Mission in Nigeria.

His message was simple yet powerful—media is not an accessory but a driver of impact.

“Rotary needs the media as a strategic partner to promote the work we do in Nigeria,” he said, explaining that radio, television, print, online, and social platforms all have a role to play.

He reminded Rotarians of Paul Harris’ timeless words: “Whatever Rotary may mean to us, to the world, it will be known by the results it achieves.”

For Abati, this quote underscores why storytelling and editorial amplification are crucial—because Rotary’s humanitarian service is best understood by its impact.

To illustrate, he pointed to milestones already achieved.

“The Rotary Foundation spent over $300 million to kick polio out of Nigeria,” he noted, recalling that the World Health Organisation declared Nigeria wild polio-free on August 24, 2020, after three years without a single case.

He also highlighted that $14 million had been released by The Rotary Foundation to strengthen surveillance of polio eradication, while a $2 billion Program of Scale grant is supporting maternal and child health in Nigeria.

“The media needs to tell these stories,” he emphasised, “because they show Rotary’s impact and relevance.”

Abati urged participants to link Rotary’s vision directly to Nigeria’s realities: “Together, we see a world where people unite and take action to create lasting change—across the globe, in our communities, and in ourselves.”

He explained that while external media is indispensable, Rotarians themselves are the organisation’s biggest brand ambassadors.

Public image, he stressed, is not just about what is published but about the perception the public holds—shaped daily by members’ actions, their club activities, and how they communicate their work.

“A positive public image is crucial for attracting new members, securing donations, and building credible partnerships,” he said.

“With the right media support, Rotary will raise awareness, build trust and admiration, and showcase its values more powerfully. This is also about demonstrating credibility, expertise, and thought leadership.”

Adding depth to the conversation, Dr. Nkechi Ali-Balogun, Chairman and CEO of PRCAN, graced the seminar as Special Guest of Honour.

She stressed the importance of deliberate communication in shaping Rotary’s reputation, noting that credibility is earned through consistent storytelling and authenticity.

The intellectual exchange broadened when Rotary International’s Regional Public Image Coordinator for Zone 22, Region 27, Ibim Semenitari, joined via Zoom.

Representing 10 districts across English-speaking West and North Africa, Semenitari reinforced the importance of branding discipline within Rotary.

“Every time we tell our Rotary stories, every time we use our brand logo rightly, every time we show up, and showcase the great things we’re doing in the world, we attract funders and members,” she said, stressing that effective use of the Rotary identity is more than aesthetics—it is a bridge to influence and sustainability.

Her intervention brought a continental dimension to the discussion, reminding participants that image is not just a local affair but a regional and global strategy.

District Governor Lanre Adedoyin, serving as chief host, captured the spirit of the day with a simple reminder: “Public Image is one way that we expand our reach in Rotary—telling our stories as People of Action and showcasing our impact.”

The seminar was further enriched by presentations designed to be practical and transformative.

Past District Governor John Senaya spoke on Telling Our Story, Growing Our Impact; Rotarian Achime Arinze emphasised why every Rotary club should own a website; Joy Obinyan asked the provocative question, What Is a Great Brand?; while Past President Oromena Osugo highlighted how social media can amplify Rotary stories.

ARPIC Braimah himself gave a grounded overview of Nigeria’s media landscape, tying theory to reality.

While distinguished journalists like Sam Omatseye, Joseph Adeyeye, Dr. Sam Ayetutu, Gbenga Adefaye, Tony Onyima, Martins Oloja, and CNN Award-winning journalist Shola Oshunkeye were in attendance as guests, their presence symbolised a bridge between Rotary and the fourth estate—reinforcing that image is built not in isolation but through collaboration with those who shape public opinion daily.

For many participants, the day was more than a seminar; it was a wake-up call. The message was clear: Rotary’s image is not a logo or a slogan, but a living narrative built through clarity, credibility, and consistency.

By telling their stories boldly and correctly, Rotarians can not only strengthen fellowship but also inspire trust, attract partners, and magnify their impact across Nigeria and beyond.

Also read: Tinubu Congratulates Olayinka Babalola for Rotary International Feat

The Rotary District 9112 Public Image Seminar may have lasted just one day, but its resonance will likely last much longer; in the way clubs present themselves, in how stories are told, and in the confidence with which members wear the Rotary identity.

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By Rtn. Victor Ojelabi

Events

Rechael Okonkwo’s Carnival Brings Free Healthcare to 5,000 Residents

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Rechael Okonkwo

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Culture

WAKE UP! Art Exhibition Returns for a Second Act

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WAKE UP

The contemporary art and photography exhibition “Wake Up!” is back again for a second edition.

Curated by Awele Onwordi, Wake Up! 2 exhibition pays homage to the Nigerian youth and burgeoning street culture which many of its contributing artists reference in their works.

Also read: Five rising stars battle for 2026 Headies Next Rated

Titled “Young, Wild, Free”, the exhibition celebrates the creativity, resilience, freedom and cultural influence found in Nigerian youth.

Taking aim at societal issues and economic concerns, the exhibit reflects the youth and their refusal to compromise or bow despite all the challenges stacked against them while charting youth culture through art, music, fashion, skateboarding, photography and community.

The exhibition will be held, once again, at the Angel and Muse Gallery at 25 Sumbo Jibowu street off Ribadu Road off Awolowo Road in Ikoyi.

It will open on Saturday 5 September 2026 and will run until 11 September 2026
This second edition which focuses on celebrating, nurturing and exploring artistic practices rooted in youth and street culture will feature works from DENCITY and SUPERGLIDER HOUSE.

Exhibiting artists include Ajilore Kehinde – their work is deeply influenced by Nigerian street culture and works of other artists like Slawn, Peters Ejiro, etc, Chuka Onwordi – graphic designer who embodies themes of death, melancholy and beauty in his works, ZIDYEP – Abuja based creative whose works move between digital and physical spaces through art, graphic design and air brushing , Franklyn Okoye – graphic designer and artist whose works explore themes of identity and hyper-reality, Awele Onwordi – founder & curator of WAKE UP and multidisciplinary artist whose practice spans character art, creative logo design, album covers and more , Oluchi Kogolo – digital illustrator whose work explores street culture, personality and storytelling through a raw and playful visual style and Kozetuo Apeji – multidisciplinary artists who work explores experimental approaches to problem solving through both digital and traditional art forms.


Commenting on the exhibition in her curatorial statement, Awele noted that “despite economic instability, limited opportunities and socio-political challenges, Nigerian youth continue to shape culture through music, fashion, art, skateboarding, raves, photography and community.”

Also read: Five rising stars battle for 2026 Headies Next Rated

Continuing and harping on the raison d’etre of the exhibition she said, “Young, Wild and Free exists to celebrate Nigerian youth while also creating a platform that supports and amplifies them.”

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Events

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Miss World

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