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Crowds Gather for Rare Sunrise at Egypt’s Abu Simbel Temple

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Abu Simbel

Hundreds of tourists gathered at Egypt’s Abu Simbel temple to witness the twice-yearly sunrise ceremony illuminating Pharaoh Ramses II’s statue

Hundreds of tourists gathered at Egypt’s Abu Simbel temple on Thursday to witness a spectacular sunrise phenomenon in which sunlight illuminated the face of the statue of Pharaoh Ramses II, an event that occurs only twice a year.

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The ancient astronomical ceremony drew visitors from different parts of the world to the archaeological site in southern Egypt on October 22, one of two dates associated with the phenomenon.

The second occurrence takes place on February 22, when the rising sun illuminates the temple’s interior.

Egyptian tour guide Yasser Fouad described the occasion as extraordinary, saying some visitors had stayed overnight to secure the opportunity to witness the event.

“Today is an extraordinary day, everyone is keen, there are people who stayed over the night, foreigners who actually spent the night in Abu Simbel to see this phenomenon,” Fouad said.

The Great Temple of Ramses II at Abu Simbel dates back to the 13th century BC and is among Egypt’s most prominent archaeological attractions.

Built during the reign of Ramses II, one of ancient Egypt’s most powerful pharaohs, the temple is renowned for its monumental statues and sophisticated architectural design.

The twice-yearly sunrise phenomenon is a major attraction, drawing visitors eager to witness the interaction between sunlight and the temple’s ancient structure.

The dates have traditionally been associated with significant moments in Ramses II’s life.

October 22 is commonly linked to his birthday, while February 22 is associated with his accession to the throne.

However, the precise historical reasons behind the dates remain debated.

Some archaeologists have proposed alternative explanations, including that they may have marked the pharaoh’s coronation and birthday.

Abu Simbel underwent a major international rescue operation in the 1960s, when archaeologists and engineers relocated the temples to protect them from flooding caused by the construction of the Aswan High Dam.

The monumental structures were cut into large blocks and reassembled at a higher location, preserving the site for future generations.

The relocation was one of the most significant archaeological preservation projects of the 20th century.

Despite the move, the temple continues to attract visitors for its ancient Egyptian art, monumental architecture and remarkable alignment with the rising sun.

Also read: 16 Famous Cultural Festivals That Define India

The annual gatherings highlight the enduring appeal of Egypt’s archaeological heritage and the continuing fascination with the astronomical knowledge and engineering achievements of its ancient civilisation.

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Ofala festival: Obi of Onitsha marks 25 Years on throne

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 Ofala Festival 2026 celebrated Onitsha’s royal heritage as Obi Nnaemeka Achebe marked 25 years on the throne and addressed Nigeria’s economic challenges.

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16 Famous Cultural Festivals That Define India

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India

Discover 16 famous cultural festivals in India, from Diwali and Holi to Rath Yatra and the Pushkar Camel Fair, celebrating the country’s rich heritage (more…)

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Netherlands Returns Historic Benin Artefact to Oba Ewuare II

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Netherlands returns Benin artefact to Oba Ewuare II as the restitution of African cultural treasures gains momentum during his 10th coronation anniversary

The Kingdom of the Netherlands has returned a centuries-old Benin artefact to the Oba of Benin, Oba Ewuare II, in Benin City, Edo State, as part of activities marking the monarch’s 10th coronation anniversary on October 21, 2026, in a move that adds momentum to international efforts to restore African cultural heritage to its place of origin.

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The artefact, which had been held in the collection of Museum de Fundatie in the Netherlands since 1937, was presented to the monarch by the museum’s executive director, Beatrice von Bormann, in the presence of Portugal’s Ambassador to Nigeria, Paulo Martins Santos.

The handover highlights renewed efforts by museums and governments to address the history of African cultural objects held in foreign collections and reconnect communities with artefacts of historical, cultural and spiritual significance.

Speaking during the presentation, von Bormann said investigations had traced the artefact’s origins to the 18th century.

She expressed satisfaction at its return to the Benin Kingdom, noting that the object had travelled across different parts of the world before reaching its place of origin.

She also explained that the artefact carried spiritual symbolism associated with reincarnation and Olokun, the Benin deity linked to the sea and wealth.

The return comes amid a broader international campaign to secure the restitution of African cultural treasures taken during colonial encounters.

The Benin Kingdom has been at the centre of these efforts, with historical objects from the former Benin Kingdom dispersed among museums and private collections across several countries.

Receiving the artefact, Oba Ewuare II reflected on the longstanding historical relationship between the Benin Kingdom and Portugal, recalling contacts between the two societies dating back to the 15th century.

The monarch said early encounters included efforts to introduce Catholicism into the kingdom but stressed that the Benin people had maintained their traditional religious beliefs and spiritual practices.

“We have a very unique link with the Portuguese. When I was told that the Portuguese Ambassador was around, it was like telepathy, because I had been thinking already about Portugal,” Oba Ewuare II said.

The monarch also expressed surprise at learning that the Vatican recognised African traditional religions, describing the development as significant to wider discussions about the recognition of indigenous African spirituality.

The presentation added historical and cultural significance to the celebrations marking Oba Ewuare II’s 10th coronation anniversary, while drawing attention to the role of restitution in preserving the identity and heritage of the Benin Kingdom.

The return of the artefact also reinforces calls for continued cooperation between African institutions and international museums to establish the origins of disputed objects and facilitate their return where appropriate.

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For the Benin Kingdom, the recovery represents more than the return of an old object. It offers an opportunity to preserve historical knowledge, sustain cultural traditions and pass an important part of the kingdom’s heritage to future generations.

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