Culture
Prince Adewale Laoye set to lead Ayan Agalu festival 2024
Published
2 years agoon
By
akonitv
In a move to ensure the success of one of Nigeria’s most iconic cultural events, the House of Oduduwa has appointed Prince Adewale Laoye as the Chairman of the Local Organizing Committee for the upcoming Ayan Agalu Festival 2024.
The prestigious two-day festival, slated for June 26-27 in the ancient city of Ile-Ife, celebrates the rich drumming heritage of the Yoruba people. As a respected personality and CEO of Aafin Ilu, Prince Laoye’s leadership is expected to elevate the festival’s significance and promote unity.
In a statement, Prince Laoye expressed his deep honour at the appointment, stating, “The Ayan Agalu Festival is a cherished event that promotes peace, harmony, and pride in our cultural identity. I look forward to working with the talented organizing committee to curate an exceptional experience showcasing our drumming traditions to the world. I also thank His Imperial Majesty and Her Royal Majesty for their trust in my capabilities.”
Under his guidance, the 2024 festival will feature performances by master drummers, expert-led workshops, displays of various Yoruba drumming styles, and a grand finale uniting all participants in a powerful show of unity.
The sacred Ayan Agalu drum has historically served as an instrument for communicating the message of peaceful coexistence globally. This year’s event aims to amplify that message through rhythmic celebrations and competitions drawing talent from across Africa.
Her Royal Majesty Olori Aderonke Ademiluyi Ogunwusi voiced confidence in Prince Laoye’s abilities, saying, “His wisdom and commitment will make the Ayan Agalu 2024 Festival a resounding success. His leadership will ensure this sacred tradition uplifts our community while radiating our values of unity and harmony worldwide.”
The festival organizing committee is expected to announce further details, including the event schedule and featured performers, in the coming weeks.
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The contemporary art and photography exhibition “Wake Up!” is back again for a second edition.
Curated by Awele Onwordi, Wake Up! 2 exhibition pays homage to the Nigerian youth and burgeoning street culture which many of its contributing artists reference in their works.
Also read: Five rising stars battle for 2026 Headies Next Rated
Titled “Young, Wild, Free”, the exhibition celebrates the creativity, resilience, freedom and cultural influence found in Nigerian youth.
Taking aim at societal issues and economic concerns, the exhibit reflects the youth and their refusal to compromise or bow despite all the challenges stacked against them while charting youth culture through art, music, fashion, skateboarding, photography and community.
The exhibition will be held, once again, at the Angel and Muse Gallery at 25 Sumbo Jibowu street off Ribadu Road off Awolowo Road in Ikoyi.
It will open on Saturday 5 September 2026 and will run until 11 September 2026
This second edition which focuses on celebrating, nurturing and exploring artistic practices rooted in youth and street culture will feature works from DENCITY and SUPERGLIDER HOUSE.
Exhibiting artists include Ajilore Kehinde – their work is deeply influenced by Nigerian street culture and works of other artists like Slawn, Peters Ejiro, etc, Chuka Onwordi – graphic designer who embodies themes of death, melancholy and beauty in his works, ZIDYEP – Abuja based creative whose works move between digital and physical spaces through art, graphic design and air brushing , Franklyn Okoye – graphic designer and artist whose works explore themes of identity and hyper-reality, Awele Onwordi – founder & curator of WAKE UP and multidisciplinary artist whose practice spans character art, creative logo design, album covers and more , Oluchi Kogolo – digital illustrator whose work explores street culture, personality and storytelling through a raw and playful visual style and Kozetuo Apeji – multidisciplinary artists who work explores experimental approaches to problem solving through both digital and traditional art forms.

Commenting on the exhibition in her curatorial statement, Awele noted that “despite economic instability, limited opportunities and socio-political challenges, Nigerian youth continue to shape culture through music, fashion, art, skateboarding, raves, photography and community.”
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Continuing and harping on the raison d’etre of the exhibition she said, “Young, Wild and Free exists to celebrate Nigerian youth while also creating a platform that supports and amplifies them.”
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