Festivals
Duke of Shomolu Foundation partners Ekiti State in theatre festival
Published
3 years agoon
By
Lanre
The Duke of Shomolu Foundation, a leading theatre production company, is set to partner the Ekiti State Government in the Ekiti International Theatre Festival.
The government, through the Ekiti State Ministry of Arts, Culture and Creative Economy, is offering Duke of Shomolu Foundation a five-year franchise for organising the festival starting from 2024 to 2029.
Addressing the media at a press conference, which held at the National Troupe of Nigeria, at the National Theatre Lagos, Rasak Ojo-Bakare, a professor, who is the Ekiti State Commissioner of Arts, Culture and Creative, noted that the event is designed to be the largest indigenous theatre festival in the country with a five-day, multiple venue and 10 play format structure.
“It will pull in massive development in the tourism, infrastructure, hospitality, art and craft sectors of the state as it would involve not only the plays but exhibitions, seminars, tours, sports among others,” the professor said.
On the choice of Duke of Shomolu Foundation, he noted that the theatre production company has proven its worth over the years with quality and sold-out productions, especially Fajuyi, which enthralled Ekiti residents recently.
According to Ojo-Bakare, Kashimawo, a new play by The Duke of Shomolu Foundation, will open the festival, followed by 8 other performances from universities that offer Theatre Arts, theatre associations and companies in the state.
He also noted that there would be a night of short plays for each local government of the state for about 5-7 minutes each. Also, some performances of the festival will hold in Ado Ekiti, while others will be at Ikogosi, the tourism destination of the state.
The festival, according to him, would be rounded up with a play Fajuyi.
On his part, Joseph Edgar, chairman, The Duke of Shomolu Foundation, which doubles as the main promoter of the festival and a major catalyst of economic renaissance using theatre as its main vehicle for operation, noted that the project would change the face of art, culture and even tourism in Ekiti State, amid huge impacts.
He noted that over 200,000 visitors are expected at the festival, which is expected to throw in about N5 billion in generated consolidated revenues to both the private and public sector operators within the state
Speaking further Edgar, an investment banker, said that the festival aims to generate jobs, impact infrastructure and engender youth social cohesion and mobilisation, while arrowheading theatre as a major vehicle for economic growth.
Speaking on the reason for the festival, Edgar said, “We saw the immense potential of theatre in Ekiti when we did Fajuyi.
For us it is an economic thing. We want to use theatre to unlock the economic potential of Ekiti State.
“We are looking at injecting over N2 billion into Ekiti with the festival.
“Hotels, cabs, tour operators, airlines, restaurants and vendors will be impacted positively.
“We want to give jobs to 20,000 people with the festival,” he concluded, noting that his company is using Ekiti as a case study for other states in running projects of this magnitude.
The festival is expected to run for two weeks between August and September.
Meanwhile, the Ekiti State Internal Revenue Service is a major partner of the festival, as Yemi Shodimu, a versatile theatre practitioner, is going to be the festival director.
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By Halima Adaba,
It was a featubal if the people. It was for the anciebt town of Ile Ife, which the Yoruba race refards as the Source.
Also read: Olojo Festival 2026: Ooni Urges Leaders to Prioritise Citizens
And ut was a festivsl for the King, Arole Oduduwa, Oonirisa, Adeyeye Enitan Ogunwusi, Ojaja II.
And so between September 24 and 28th 2026, the annual featuval dazzjed in all its white glory.
Tge Monarch paid the traditional ancestral homage and offered propitiation as part of the sacred rites of the Olojo Festival.
It was a powerful expression of Yoruba heritage, spirituality, and enduring tradition.
Call it a collection of beautiful moments, faces, colours and cultural expressions.
Every frame tells a story.
Every face carries the energy.
Every moment keeps the heritage alive.
Undoubtedly one of the most sacred cultural celebrations in Ilé-Ifẹ̀. It marked a day associated with creation, thanksgiving, ancestral heritage, and the sacred appearance of the Ooni of Ife wearing the revered Aàrẹ crown.
There were also the devotees of the famed god of thunder – Sàngó who were hardly conspicuous at the festival.
Many other traditional groups came out with candor, showing a powerful expression of Yoruba cultural identity, spiritual devotion, and respect for the ancient traditions of Ilé-Ifẹ̀.
Devotees of Sàngó bekieved the ‘appearance’ of the god of thunder on Seotember 26th could be understood as a symbolic meeting of ancestral heritage, spiritual devotion, and the celebration of creation.
It was a moment when the sounds of drums, chants, and traditional praise poetry brought the history of the Yoruba people to life.
Although Olojo is closely associated with Ogun, the god of iron, and the sacred traditions of Ile-Ife, the presence of Sàngó devotees reflected the rich diversity of Yoruba spiritual heritage.
Also read: Olojo Festival 2026: Ooni Urges Leaders to Prioritise Citizens
As a participant enthused at the festival, “To witness Sàngó Olúkòso emerge on Olojo Festival day is to witness a living expression of history, identity, and ancestral pride.”

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Festivals
Olojo Festival 2026: Ooni Urges Leaders to Prioritise Citizens
Published
6 days agoon
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