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Why Nigeria Holds a Special Place in the World

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Nigeria national pride

Nigeria national pride shines on 65th anniversary, highlighting culture, economy, tourism, innovation, and global achievements

If senior secondary school students of Nigerian origin were asked to write an essay with the title of this article, I can say confidently that it would be interesting and highly competitive.

Also read: Tinubu Visits Lagos to Mark Nigeria’s 65th Anniversary

I have done several articles on the subject in the past and my central theme has always been that we do not have any other country to call our own; so, we must join hands together in the task of nation-building and make Nigeria a better place.

In a random survey last week, I asked some friends and associates of diverse professional backgrounds to tell me why they think Nigeria is a great country to provide additional context for this article.

Their responses were similar in tone and perspective, suggesting indeed that we have a lot of positive attributes that can differentiate the Nigerian brand globally in spite of those who knowingly damage the brand or deliberately de-market Nigeria.

But when we push the right narrative about Nigeria consistently, the story will change for good. I am not talking about propaganda.

How the rest of the world see us, or what they think of us, is our “public image,” and it is essentially the aggregation of our activities (what we do, whether good or bad) and how we communicate those activities.

What of the things we say about the country? A positive public image is critical in influencing public opinion and building trust.

The good news from my survey is that Nigeria is poised for greatness despite our current challenges. The respondents generally agree that the strategic importance and relevance of Nigeria in the world cannot be ignored

From my findings, we can immediately point to the following advantages: Nigeria’s population (during his address at the 80th United Nations General Assembly, vice president Kashim Shettima told the world that our population is 234 million), the size of our economy, nature’s wonders, tourism, and hospitality; technology and innovation, regional power, food and cuisine, investors and investment opportunities, rich cultural heritage and diversity, music and entertainment, vibrant cities, our resilience and strong sense of community, successful entrepreneurs and outstanding professionals.

It is important to note that how we take advantage of these existing strategic opportunities depends on how we roll our dice.

But one thing is clear: Nigeria’s story needs to be redefined by building a strong narrative, showcasing our strengths, opportunities and successes. No one, except Nigerians, can tell the story better.

Nigeria is a land of vibrant energy, boundless potential, and a story waiting to be told. From the pulsating rhythms of Afrobeats to the roaring cheers for the Super Eagles, Nigeria’s cultural nuances and economic vitality offer a compelling platform to reshape our global image.

Make no mistake about it, Nigeria is the giant of Africa and the next economic frontier of the world. By 2050, it is being projected that our population will hit 400 million, making Nigeria the third most populous country in the world after India and China.

Our leaders must begin to worry about how to harness the potential of our huge population. For example, a huge workforce with immense skills, talents and expertise can drive economic growth and development, while businesses will thrive and grow in the huge domestic market because we have the numbers.

As a founding member of the African Union (AU), Nigeria’s current push for a permanent seat on the UN Security Council (UNSC) is a measure of our regional leadership and influence in Africa, and an opportunity to strengthen our global relationships.

This is an audacious move which deserves the support of all Nigerians, except that President Bola Ahmed Tinubu is yet to appoint ambassadors and high commissioners for our foreign missions after over two years in office.

It is scandalous that Africa with 54 countries and about 1.5 billion people has no representation on the UN Security Council comprising the following five permanent members: United States, Russia, China, France and the United Kingdom.

These five members have veto power over substantive resolutions, meaning a single negative vote can block adoption of a proposal.

Nigeria can leverage its contributions to global peace and security which VP Shettima alluded to in his address. In addition, Nigeria can continue to advocate for reforms in UNSC, including increasing the number of permanent seats and improving representation for Africa.

To again underscore our global influence, Nigeria is bidding to host the 2030 Commonwealth Games in Abuja. It will be the first time an African country is hosting the Games if we win the bid.

The Games is held every four years across the world, and India is the other country bidding with us.

Call it soft diplomacy if you like, but President Tinubu says our bid to host the Games is a dream that must be realised. The 2026 Games will be hosted in Glasgow, Scotland from July 26 to August 2.

We are not just the country with the most arable land for nothing. I emphasised this point in my last article, where I recommended that Nigeria should build global food brands, one category at a time.

Our country is blessed with the largest population of black people in the world. Shouldn’t this important characteristic count for something? There’s hardly any part of the world where you will not find a Nigerian.

The dynamic business environment has seen big players investing in the Nigerian economy, creating employment and paying significant taxes.

Mind you, these billionaires and philanthropists are not local champions, as they have their tentacles spread far and wide.

They include Aliko Dangote, Mike Adenuga, Arthur Eze, Abdul Samad Rabiu, Femi Otedola, Tony Elumelu, Jim Ovia, Folorunso Alakija, Theophilus Danjuma, Cletus Ibeto, and Leo Stan Ekeh.

I am happy to also celebrate Nigerians who are distinguishing themselves in different fields all over the world.

It is a long list, but let me recognise Amina Mohammed, deputy secretary general of the United Nations; Dr. Akinwunmi Adesina, the immediate past president of the African Development Bank; Dr. Ngozi Nkonjo-Iweala, director general of the World Trade Organisation, and Benedict Oramah, president of Afreximbank.

What of our literary giants? These are impressive writers who have made significant contributions to our literary landscape.

They include Chinua Achebe, Nobel Laureate Wole Soyinka, Chimamanda Ngozi Adichie, Buchi Emecheta, Ben Okri, Flora Nwapa, Cyprian Ekwesi, Amos Tutola, Ken Saro-Wiwa and Elechi Amadi.

With over 300 ethnic groups, Nigeria is one of the ethnically diverse countries in the world. This diversity is reflected in our music, languages, food, costumes, dance, art and literature.

Nigeria’s music scene is home to global sensations such as Burna Boy, Davido, Asake, Wizkid, Tems, Rema, Ayra Starr, Tuface, Ruger, Flavour, Tiwa Savage, Tekno, Olamide, Kizz Daniel, Yemi Alade, Fireboy and Adekunle Gold. They have turned Afrobeats into a universal language, with some of them recording over one billion streams on Spotify.

Similarly, Nollywood, the world’s second largest film industry, has been collaborating with streaming giants such as Netflix and Amazon Prime to spotlight Nigerian stories and movie stars, captivating international audiences.

I doff my hat for Pete Edochie, Richard Mofe-Damijo (RMD), Kunle Afolayan, Ramsey Nouah, Tony Monjaro, Funke Akindele, Kate Henshaw, Genevive Nnaji, Omoni Oboli, Mary Njoku, and Mercy Johnson, just to name a few.

Whether it is medicine and healthcare, technology and IT, academia and education, journalism, law, science, engineering, creative economy, hospitality, banking and finance or sports, Nigerians are excelling around the world.

Nigeria’s tech space is buzzing with innovations, especially in the fintech sector, with companies like Paystack, Flutterwave and Interswitch leading from the front. With over 200 fintech companies operating in the country, the sector is driven by the need for financial inclusion.

In Rotary International, the global humanitarian service organisation founded in 1905, the only African who has been president to date was Jonathan Majiyagbe, a Nigerian. He was the 2003-2004 president of the organisation.

Another Nigerian was announced as president-elect of the organisation on August 28. He is Yinka Babalola and he will assume office as president of Rotary International on July 1, 2026.

In broadcasting, Dr. John Momoh, Chairman/CEO of Channels Media Group and Prince Nduka Obaigbena, Chairman of Arise News, are trailblazers.

They introduced innovations that have consistently improved the ratings of both TV channels, and their viewers are loving it.

I salute their courage and vision for doing things differently. With over 30 years in the business, Channels TV which has about 1.6 billion views on YouTube continues to demonstrate a commitment to long-term success.

Did you know that Nigeria is the largest producer of yam, shea butter, cassava, cowpea, sorghum, and taro in the world?

The list goes on. Nigeria is also the 3rd largest producer of sweet potato and ginger, and the 4th largest producer of palm oil, cocoa and sesame seed in the world. Please fact-check me, as I would be happy to be corrected.

Our Bonny Light crude oil is one of the most desirable crude oil grades globally, attracting marketers and commanding high prices due to its exceptional quality.

Can’t you see that we are truly blessed? The Dangote Refinery is a game-changer for Nigeria’s oil industry.

With an investment of about $20 billion, the refinery is capable of processing 650,000 barrels of crude oil per day, making it the largest single-train refinery in the world.

Nigeria ranks 9th globally in terms of proven gas reserves, and is the largest holder of gas reserves in Africa, indicating a significant resource base for our energy needs.

We are also endowed with an array of over 44 different types of solid minerals, spread across more than 500 locations.

We are also known for our resilience, creativity, hardwork and entrepreneurial spirit. Nigerians are generally warm and hospitable people, with a distinctive ability to adapt to situations, however inconvenient or difficult.

Our strong sense of community – a form of local area network to support one another – promotes family values, helping us reduce social tension and playing a pivotal role in everyday life.

I cannot end this piece without talking about our tourism assets and nature’s wonders. When I wrote that “Nigeria is the Greenest Nation in Africa” in my last article, a key component of that positioning statement is “tourism.”

Nigeria is blessed with several enchanting touristic sites, festivals and carnivals across the country.

The Benin Museum in Edo State is treasure trove of history and culture, showcasing the rich heritage of the ancient Kingdom of Benin.

Some of the top attractions at the museum include bronze artifacts, ivory carvings, textiles and fabrics, and ceremonial objects.

The Benn Moats, also known as the Great Benin Wall, is a remarkable historical structure that played a significant role in the kingdom’s defense and social organisation.

The moats were part of an extensive network of earthworks that surrounded the ancient Benin, covering over 16,000 kilometres.

Olumo Rock in Ogun State is a massive rock formation which offers stunning views and natural tunnels, while the Agbokim Waterfall in Cross River State is a breathtaking waterfall that features seven cascades surrounded by lush green vegetation.

At the Ikogosi Warm Spring in Ekiti State, the warm spring and cold spring meet at a juncture, yet maintain their distinct properties.

In Badagry in Lagos, the historic town showcases relics and artifacts from the slave trade, including the first storey building in Nigeria.

The Kano City Wall offers a glimpse into the ancient city’s rich history and cultural heritage, while the Osun Sacred Grove, a UNESCO World Heritage Site, is the home to the goddess of fertility, and features various shrines and effigies.

The Yankari Game Reserve in Bauchi State and Lekki Conservation Centre in Lagos also offer significant attractions.

For some of these sites that have deteriorated over time due to lack of care and mismanagement, the federal and state governments hosting them should come up with action plans to revive and restore them.

By now, Tinapa Resort, a visionary idea conceived when Donald Duke was the governor of Cross River State, would have been raking in billions of naira in revenue, but the dream died.

Can the resort designed to offer a mix of business and leisure, including a movie production studio and casino, be revived?

What of the Obudu Mountain Resort, also in Calabar, Cross River State? Again, this resort would have been a paradise and money spinner by now.

It is not too late to revive the resort with stunning views and temperate climate.

A major attraction for fun lovers and holiday makers in Lagos is “Detty December,” a slang for the highly festive and lively end-of-year revelry in December, which is gradually becoming a global phenomenon.

While originating in Nigeria, the concept has spread with Lagos becoming a major destination for both cultural immersion and festive celebration.

Detty December delivered significant economic impact in Lagos last year. Most bookings for accommodation at hotels, apartments and event venues for this year’s Detty December have been concluded.

Don’t be surprised if flights into Nigeria for Detty December 2.0 have been fully booked as the world is coming to Nigeria.

Apart from being the 5th largest economy in Africa, Lagos has also earned the reputation of being the “Entertainment Capital of Africa,” arising from the month-long frenzy of large-scale concerts featuring local and international artistes, private beach parties, and high-profile weddings, attracting local and Nigerian diaspora back home for celebrations that elevate the vibrancy of the city.

As we mark 65 years of nationhood, let very Nigerian say boldly, “I’m a proud Nigerian.” Wear a Nigerian lapel pin or place a Nigerian flag on your office desk or dining table at home with pride. Let us continue to humanise our experiences at every touchpoint worldwide and build a stronger Nigerian brand.

Also read: Nigerian Marketing Awards Confirm Esteemed 2025 Council

I congratulate all Nigerians on our 65th anniversary epoch. God bless Nigeria.

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Entertainment

Reel Momentum: Nollywood Releases That Defined Q3

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Nollywood

By Olayinka Akanbi

The third quarter of 2026 offered a clear picture of where Nollywood stands today. Across July, August and September, filmmakers told stories centred on family, culture, history, identity and everyday life.

Some films looked inward at personal struggles, while others drew from folklore, real-life events and Nigeria’s past.

Also read: Orlando Owoh Music Festival Set for November 7 in Lagos

There were also signs of change in how films are distributed, with streaming platforms increasing their investment in original content.

July was defined by personal, character-driven stories.

One of the standout releases was Alechenu, directed by Biodun Stephen, which followed the journey of an autistic teenager travelling from Oyo State to Lagos in search of the mother he had never met.

The film explored themes of family, identity and perseverance through a simple yet emotional narrative.

Around the same period, Lami focused on the life of a retired soldier grappling with the emotional effects of war, examining trauma, healing and second chances through the experience of one man trying to rebuild his life.

Another notable release, The Return of Omotara Johnson, marked the return of veteran actress Bukky Wright in a crime drama centred on family secrets and unresolved past conflicts.

Later in the month, films such as Wire Wire and Njem: The Journey continued the trend of storytelling rooted in real-life experiences and social issues.

In August, attention shifted towards history, tradition and culture.

The month opened with Sweet 16, a coming-of-age family drama that also drew attention as one of the final completed performances by the late actor Alexx Ekubo.

This was followed by Ikenga: The Last Festival, a story centred on tradition, power and destiny, featuring veteran actors Pete Edochie and Patience Ozokwor.

Released around the same period, Aláhùn (The Weaver) drew heavily from Yoruba mythology and folklore, highlighting a growing interest in indigenous narratives and local fantasy storytelling.

Towards the end of the month, King Kosoko revisited the life of one of Lagos’ most influential historical rulers, reflecting a broader shift by filmmakers towards exploring Nigeria’s history on screen.

By September, the conversation had expanded beyond storytelling to include audience engagement and distribution models.

One of the month’s notable releases was Mama Deola’s Wedding Story, which became the first original production from Nigerian streaming platform Kava. Its release underscored the increasing role of local streaming services in shaping the industry.

Other films focused on contemporary life and younger audiences.

Ordinary People examined the lives of everyday Nigerians, while 19 explored themes of identity, ambition and relationships from a youthful perspective.

One Gidi Night captured the rhythm and character of Lagos, using the city itself as a central narrative element.

The month also saw the release of Black Market, which generated widespread attention due to efforts to stage a Guinness World Record attempt for the largest film screening audience at Tafawa Balewa Square in Lagos.

Taken together, these releases reflect an industry in transition one that is expanding its storytelling range while experimenting with new platforms, audiences and formats.

Also read: Orlando Owoh Music Festival Set for November 7 in Lagos

Nollywood is not only telling more stories; it is also redefining how those stories are created, distributed and experienced.

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Opinion

Rotary hails IPDG Lanre Adedoyin polio drive

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Rotary

By Victor Ojelabi,

The Rotary Foundation has recognised the polio eradication efforts of Rotary International District 9112 under Immediate Past District Governor Lanre Adedoyin, following the District’s transfer of District Designated Funds to the PolioPlus Fund during the 2025 to 2026 Rotary year, a contribution acknowledged recently, as part of the global funding effort to protect children from the disease.

Also read: Rotary Club of Lagos Strengthens Traders With Fresh ₦6m Business Grant

The recognition brings a fitting international dimension to a Rotary year in which Adedoyin, a lawyer and member of the Rotary Club of Surulere South, repeatedly placed polio eradication among District 9112’s major humanitarian priorities across Lagos and Ogun states.

In a message addressed to District 9112, The Rotary Foundation thanked the District for committing its District Designated Funds to the campaign, saying the collective support from Rotary districts helped the organisation reach its fundraising target and secure matching funds that translate into US$150 million for polio eradication.

“Your support helped Rotary reach our goal and secure the matching funds that translate into US$150 million toward eradicating polio,” the Foundation said.

The money has consequences far beyond the balance sheet.

According to the Foundation, polio funding supports frontline workers taking vaccines into remote communities, environmental surveillance capable of detecting the virus in wastewater and programmes designed to interrupt transmission in affected areas.

The Foundation said the continuing effort was particularly important in Afghanistan and Pakistan, the only two countries where wild poliovirus remains endemic.

That assessment is consistent with Rotary International’s latest account of the global campaign.

Rotary says its partnership with the Gates Foundation generates up to US$150 million annually for polio eradication, with Rotary raising US$50 million and the Foundation providing a two-to-one match.

The money supports vaccine procurement, social mobilisation, outbreak response, surveillance and other operational requirements.

Rotary’s involvement stretches back decades. Its first polio vaccination project began in the Philippines in 1979, and the organisation became a founding partner of the Global Polio Eradication Initiative in 1988. Since then, global polio cases have fallen by 99.9 per cent.

For Nigeria, the story carries particular resonance.

The country recorded its last case of wild poliovirus in Borno State in August 2016.

Four years later, the World Health Organisation African Region was formally certified free of wild poliovirus, leaving Afghanistan and Pakistan as the remaining countries with endemic transmission.

That historic achievement, however, did not mean the end of the polio challenge in Nigeria.

Circulating vaccine-derived poliovirus can still emerge in communities with low immunisation coverage, making vaccination and surveillance essential even in countries that have eliminated wild poliovirus.

It was against that backdrop that the IPDG’s polio drive developed during the 2025 to 2026 Rotary year.

Adedoyin, who became the second District Governor of District 9112 following the division of the former District 9110, had signalled early in his tenure that healthcare would remain a central part of the District’s service programme.

His installation in Lagos in July 2025 marked the beginning of a year that subsequently combined fundraising with grassroots advocacy and support for health workers.

By September 2025, the District had held a PolioPlus seminar at which Adedoyin warned against complacency simply because wild poliovirus had disappeared from Nigeria. District records show that the campaign remained prominent in its programme in the months that followed.

In October, Districts 9111 and 9112 took the End Polio Now message beyond conventional conference halls with a joint train journey from Lagos to Abeokuta.

Led by Adedoyin and then District 9111 Governor Henry Akinyele, alongside Nigeria National PolioPlus Committee Chairman Joshua Hassan and other Rotary leaders, the initiative turned the train journey into a public awareness campaign for polio eradication.

District 9112 also took the message to communities in Ogun State, including a roughly 10-kilometre Keep Polio @ Zero awareness walk in Sagamu aimed particularly at encouraging parents and guardians to ensure that children receive their vaccinations.

In Lagos, the campaign moved from advocacy to practical support.

District 9112 donated 100 pairs of rain boots and 200 raincoats to the Lagos State Primary Health Care Board in October 2025 to assist health personnel working on polio eradication during the rainy season. The intervention was valued at about ₦1.6 million.

Adedoyin made the District’s position clear at the presentation.

“Our commitment to ending polio is absolute,” Adedoyin said. “We will continue working with the Lagos State Government and our partners until polio is completely wiped out.”

Another significant moment came towards the end of his tenure.

In June 2026, District 9112 announced that it had raised US$13,000 through the World’s Greatest Meal initiative for The Rotary Foundation’s PolioPlus Fund.

The contribution was described by World’s Greatest Meal Committee Chairman Tokunbo Opanubi as one of the highest recorded by the District through the initiative.

The US$13,000 contribution is separate from the District Designated Funds now acknowledged by The Rotary Foundation.

Together, however, the initiatives illustrate the different channels through which District 9112 supported the global eradication campaign during Adedoyin’s tenure.

District Designated Funds form part of The Rotary Foundation’s funding system and allow Rotary districts to direct portions of avail

IPDG Lanre Adedoyin with wife at a Rotary event recently

able Foundation resources towards eligible programmes.

PolioPlus is one of the avenues through which districts can deploy such resources in support of Rotary’s eradication objective.

The Foundation’s latest acknowledgement therefore adds another layer to District 9112’s polio record for the 2025 to 2026 year.

It also demonstrates the multiplier effect behind Rotary’s funding model.

A contribution originating from clubs and districts can ultimately support a much larger global pool used for vaccines, surveillance, community mobilisation and the difficult task of reaching children in areas affected by conflict, insecurity or geographical isolation.

The stakes remain considerable.

Polio is a potentially fatal infectious disease that primarily affects young children and can invade the nervous system, causing irreversible paralysis.

Although its global footprint has been reduced dramatically, Rotary cautions that eradication requires sustained vaccination and surveillance until transmission has been stopped everywhere.

The Foundation’s message to District 9112 captured that unfinished mission.

It thanked the District for supporting the PolioPlus Fund and helping move the world closer to the point where “no child is threatened by this disease ever again”.

For Adedoyin, who handed over the governorship of District 9112 at the end of the 2025 to 2026 Rotary year, the recognition offers a powerful postscript to a year in which the District’s contribution was measured not only in fundraising figures, but also in public advocacy, community mobilisation and support for those working closest to vulnerable children.

Also read: Rotary Club of Lagos Strengthens Traders With Fresh ₦6m Business Grant

And for District 9112, the acknowledgement connects a local Rotary story from Lagos and Ogun states to a much larger global ambition: ensuring that the final cases of polio become part of history rather than the beginning of another outbreak.

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Culture

WAKE UP! Art Exhibition Returns for a Second Act

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WAKE UP

The contemporary art and photography exhibition “Wake Up!” is back again for a second edition.

Curated by Awele Onwordi, Wake Up! 2 exhibition pays homage to the Nigerian youth and burgeoning street culture which many of its contributing artists reference in their works.

Also read: Five rising stars battle for 2026 Headies Next Rated

Titled “Young, Wild, Free”, the exhibition celebrates the creativity, resilience, freedom and cultural influence found in Nigerian youth.

Taking aim at societal issues and economic concerns, the exhibit reflects the youth and their refusal to compromise or bow despite all the challenges stacked against them while charting youth culture through art, music, fashion, skateboarding, photography and community.

The exhibition will be held, once again, at the Angel and Muse Gallery at 25 Sumbo Jibowu street off Ribadu Road off Awolowo Road in Ikoyi.

It will open on Saturday 5 September 2026 and will run until 11 September 2026
This second edition which focuses on celebrating, nurturing and exploring artistic practices rooted in youth and street culture will feature works from DENCITY and SUPERGLIDER HOUSE.

Exhibiting artists include Ajilore Kehinde – their work is deeply influenced by Nigerian street culture and works of other artists like Slawn, Peters Ejiro, etc, Chuka Onwordi – graphic designer who embodies themes of death, melancholy and beauty in his works, ZIDYEP – Abuja based creative whose works move between digital and physical spaces through art, graphic design and air brushing , Franklyn Okoye – graphic designer and artist whose works explore themes of identity and hyper-reality, Awele Onwordi – founder & curator of WAKE UP and multidisciplinary artist whose practice spans character art, creative logo design, album covers and more , Oluchi Kogolo – digital illustrator whose work explores street culture, personality and storytelling through a raw and playful visual style and Kozetuo Apeji – multidisciplinary artists who work explores experimental approaches to problem solving through both digital and traditional art forms.


Commenting on the exhibition in her curatorial statement, Awele noted that “despite economic instability, limited opportunities and socio-political challenges, Nigerian youth continue to shape culture through music, fashion, art, skateboarding, raves, photography and community.”

Also read: Five rising stars battle for 2026 Headies Next Rated

Continuing and harping on the raison d’etre of the exhibition she said, “Young, Wild and Free exists to celebrate Nigerian youth while also creating a platform that supports and amplifies them.”

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