Entertainment
AFRIMA Unveils Landmark Global Calendar in LA
Published
3 weeks agoon

AFRIMA global calendar for the 10th edition was unveiled in Beverly Hills, as the AU-backed awards push African music toward new investment
On Sunday, 20 September 2026 in Beverly Hills, Los Angeles, the All Africa Music Awards International Executive Committee and the African Union presented the official AFRIMA global calendar for the landmark 10th edition, setting out the path from Africa’s music capitals to one of the world’s entertainment centres.
Also read: Vibrant Victoria Island Carnival Lights Up Lagos
The AFRIMA global calendar was the centrepiece of a Los Angeles engagement that also included the AFRIMA Creative Industry Roundtable and Stakeholders Conference, themed “Catalyst for Collaboration & Investment in the Global Creative Industry.” Organisers said the room would hold artistes, actors, investors, policymakers, media executives and members of the African diaspora.
AFRIMA presents itself as Africa’s longest-running continental music awards platform, broadcast in more than 84 countries.
The RoadTo10thAFRIMA tour had already stopped in Dar es Salaam, Abidjan, Rabat and Casablanca.
Earlier calendar unveilings were held in The Gambia, Ghana, South Africa, Dakar, Lagos and at African Union headquarters in Addis Ababa. Main shows have been staged in Lagos, Accra and Dakar.
Associate co-producer and North America jury member Hadja Kobele said the Los Angeles stop was meant to tighten the link between African music and the diaspora.
“The 10th AFRIMA Global Calendar Unveiling in Los Angeles is an important moment for the African creative ecosystem and the African diaspora,” Hadja Kobele said. “Los Angeles is a global centre for entertainment, and bringing AFRIMA here creates an opportunity to build stronger bridges between African creatives, industry professionals, investors and the diaspora community.”
Associate producer Victoria Nkong said the conference had to produce more than a date sheet. “The creative industry is one of Africa’s strongest assets, but its full potential can only be achieved when we create the right platforms for collaboration, investment and shared knowledge,” Victoria Nkong said. “As we unveil the calendar for the 10th AFRIMA, we are also opening conversations about the future of the industry.”
The published calendar is meant to give nominees, partners and audiences a clearer sequence of milestones before the main awards.
Also read: Vibrant Victoria Island Carnival Lights Up Lagos
Whether Los Angeles becomes a lasting AFRIMA station, or a one-off showcase, will be judged by the partnerships that follow the AFRIMA global calendar off the stage.
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Nigerian Film ‘Anu (Mercy)’ Wins Best Nollywood Award in Toronto
Published
1 day agoon
October 9, 2026
Anu (Mercy) film award recognition sees Temitope Jude Egwu’s debut feature win Best Nollywood Film at the 2026 Toronto International Nollywood Film Festival (more…)
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By Halima Adaba,
It was a featubal if the people. It was for the anciebt town of Ile Ife, which the Yoruba race refards as the Source.
Also read: Olojo Festival 2026: Ooni Urges Leaders to Prioritise Citizens
And ut was a festivsl for the King, Arole Oduduwa, Oonirisa, Adeyeye Enitan Ogunwusi, Ojaja II.
And so between September 24 and 28th 2026, the annual featuval dazzjed in all its white glory.
Tge Monarch paid the traditional ancestral homage and offered propitiation as part of the sacred rites of the Olojo Festival.
It was a powerful expression of Yoruba heritage, spirituality, and enduring tradition.
Call it a collection of beautiful moments, faces, colours and cultural expressions.
Every frame tells a story.
Every face carries the energy.
Every moment keeps the heritage alive.
Undoubtedly one of the most sacred cultural celebrations in Ilé-Ifẹ̀. It marked a day associated with creation, thanksgiving, ancestral heritage, and the sacred appearance of the Ooni of Ife wearing the revered Aàrẹ crown.
There were also the devotees of the famed god of thunder – Sàngó who were hardly conspicuous at the festival.
Many other traditional groups came out with candor, showing a powerful expression of Yoruba cultural identity, spiritual devotion, and respect for the ancient traditions of Ilé-Ifẹ̀.
Devotees of Sàngó bekieved the ‘appearance’ of the god of thunder on Seotember 26th could be understood as a symbolic meeting of ancestral heritage, spiritual devotion, and the celebration of creation.
It was a moment when the sounds of drums, chants, and traditional praise poetry brought the history of the Yoruba people to life.
Although Olojo is closely associated with Ogun, the god of iron, and the sacred traditions of Ile-Ife, the presence of Sàngó devotees reflected the rich diversity of Yoruba spiritual heritage.
Also read: Olojo Festival 2026: Ooni Urges Leaders to Prioritise Citizens
As a participant enthused at the festival, “To witness Sàngó Olúkòso emerge on Olojo Festival day is to witness a living expression of history, identity, and ancestral pride.”

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