Opinion
When Museum of Unity Ibadan, BlackulHeritage hosted first TEXTART Fair
Published
3 years agoon
By
Lanre
Shopping tourism is as old as the origin of the sector because it is impossible for tourism to take place without money changing hands and travellers or better put tourists buying or shopping for goods and articles and one area of interest is cultural souvenirs, which come in arts and crafts as well as colourful textile.
This has significantly boosted the patronage of the global arts and textile to an astronomical level with innovations and trend sustaining the market space from generation to generation. The global arts market size grew from $441.02 billion in 2022 to $579.52 billion in 2023 at a compound annual growth of 31.4 percent
Also in 2022, the global arts market generated nearly $68 billion, surpassing the figures reported prior to the COVID-19 pandemic and reaching the second highest value in the last 15 years; according to artbasel report, the arts market is expected to grow to $682.08 billion in 2027 at a compound annual growth of 4.2 percent.
On the other hand, the size of the textile market is valued at $1,575.40 million in 2021 and is poised to grow from $1,696.13 million in 2022 to $3,047.24 million by 2030 at a compound annual growth of 7.6 percent, according to skyquest report.
For Nigerian textile and arts industries to significantly share in the proceed of the market space at the short and long term, there is the need for a synergy between the public and private sector players to harmonise plans and strategies in practical terms to build a value added platform, driven by policy, funding and innovative trend.
It was on this basis that the National Museum of Unity Ibadan partnered with BlackulHeritage to host the maiden edition of TEXART Fair, a platform created to encourage the makers of crafts and, at the same time, bring together buyers to a meeting point where business, money and materials can be exchanged for posterity.
According to the convener of the TEXTART Fair and CEO of BlackulHeritage, Mr Adewale Asubiojo, a multi-dimensional artist and an environmental activist, “Our focus is to attract the attention of the international communities to the art market thereby making this event a laudable and credible one as people will yearn for this annually.
“In Africa, indigenous crafts are used to identify the rich cultural heritage which can be a weapon to defend our territory from the enormous poverty in which lack of employment and others has caused the society.
“Arts, indigenous crafts and other related artefacts are our heritage that cannot be overlooked if its value can be evaluated in terms of generating income to the federal revenue.
“In an era when things seem so difficult to achieve, the basic focus of the government should be promotion, support and patronsing of local crafts.
“There is the need to take this giant stride in capturing the attention of every sector of the economy, especially the arts and textile sector and involving international communities.
“We have been able to make a lot of efforts in making this market remain the best of which many visual artists, craftsmen and women, tools makers, art lovers, art collectors and many others will meet to transact businesses and take it to the next level.”
Explaining further, Asubiojo said “Promoting art is not an easy task. It is quite understandable that the government cannot provide all the facilities needed but they must tend to support wonderful projects such as this-TEXART FAIR, a credible art market including the private sectors by investing in art and our indigenous crafts in Nigeria.
“Art and tourism work together. Meeting people, talking to people, visiting historical places and feasting eyes on some wonderful pieces of creative art works can make people live a better and easy life, even in our day to day activities.”
Speaking at the TEXART Fair, the keynote speaker, Dr Adeniyi Adediran, who addressed the theme; ‘Nigerian Textile and Arts: Yesterday, Today and Future,’ said the theme for the discourse is lucrative and divergent.
He said that the usage of factory-processed cotton is very appalling. Besides cotton, another weaving material that is popular in the North is silk (Hausa-tsamiya), (Yoruba- sanyan).
“Yesterday, another related raw material for textile art was production of local dye from ‘elu’ leaves.
“Today, clothes are dyed more with synthetic mordant and dyes. Technology employed nowadays for production of resist dyed fabrics, Adire-tie-dye is a mixture of both manual and mechanical. Certain tools and equipment are often locally fabricated while quite a number are imported.
“It is worthy to state that development in art and textiles today is unparalleled, most especially in the application. Yesterday textiles were used principally for clothing and interior. But nowadays, various brands of textiles, bonded, bleached, dyed, knit are used not only for clothing but for furnishing, fashion accessories, designing etc.
“However, contemporary usage of textiles appears to be unlimited and often expands and incorporates non-conventional materials and blends both in processing, designing and application. For instance, combination of Ankara materials and aso-oke to make shoes, bags, purses, accessories, blazers and suits. Often, upholstery materials are blended with aso-oke for interior decorations such as couches, table-mats.
“Textiles are fashioned into ladies jewelleries – necklaces, head and wrist bands, ear-rings, etc. It is very obvious that the Chinese and Indian textile markets seem undaunted and technologically overwhelmed Nigerian Adire market with various designs that we manually produced for decades.”
Adeniran explained that painters have combined different fabric materials to produce paintings, traditional textile motifs are freely utilised in ceramic wares, graphics and in other arts. Traditional sculptors play significant roles in carving of Egungun masks, doors, palace columns etc.
According to Adeniran “Today, the Chinese and Indian textile designers explore their creative ingenuity and improved technologies to outsmart the Nigerian designers. In fact, the small-scale Adire textile industrialists in all the nooks and crannies of Abeokuta, Osogbo, Ibadan, Ekiti, Ilorin, Kano, etc., cannot meet the global demands of Adire. The gap so plausibly created spurs the Chinese and Indians to expedite Adire mass production employing modern improved technologies that seem to be more sophisticated.
Without mincing words, the future of Nigerian textile is bright and enterprising if only the present challenges that the Nigerian textile faced from Asian countries are considered as source of strength.
This could be translated into development of our indigenous technologies and expand our creativities to compete favourably in the international market.
“Time is ripe to strengthen and intensify a sustainable synergy between textile related professionals, designers, technologists, artists and manufacturers.
“Exploration of culturally-motivated designs in all facets of textile productions which include among others spinning, weaving, printing, dyeing, fashion designing, garment making, embroidery, monogramming and other textile accessories to distinguish themselves in the global market.
“It is paramount that our textile art and artworks should focus on varied interests such as social classes, the military, the political class, civilians, the royalty, students, professionals and artisans.”
In her remarks, the Curator, National Museum of Unity, Ibadan, Oriyomi Otuka Pamela, noted that the contemporary African art scene, textile art has found new life in the hands of innovative artists, who have skillfully blended old art techniques with fresh techniques and methods in the creation of visual images that transcend borders.
“Among the key elements of the rich cultural heritage of Nigeria are textiles and sculptures which have played pivotal roles in the nation’s identity.
“In recent years, there has been a revival of traditional art forms, with its fusion of modern art practices which has transformed Nigeria’s artistic landscape and also contributed to the preservation of its cultural legacy.”
“The evolution of Contemporary African Textile Art is a testament to the resilience and creativity of African artists, who have navigated the complex interplay of tradition, innovation and global influences to create a vibrant and dynamic art form that transcends borders.
“It is essential that we continue to support and nurture the development of African textile art, ensuring that it remains a vital and thriving part of our global cultural fabric.
“The continuing significance of African textile art lies not only in its preservation of cultural heritage, but also in its contribution to the global art discourse.
“By embracing both the old and the new, contemporary African textile artists are helping to forge a new visual language that speaks to the shared experiences, concerns, and aspirations of people around the world.
“Looking ahead, the future prospects and challenges of Contemporary African Textile Art will likely revolve around striking a nexus between tradition and innovation, ensuring that the unique heritage of African textile art is preserved and celebrated, while also allowing for the growth and evolution of other art forms.
“Additionally, it will be crucial to promote sustainability and ethical practices in the creation and consumption of African textile art, ensuring that the artistic legacy of this tradition endures for generations to come.”
Related
You may like

Artificial Intelligence and the Nigerian Mind: Are We Asking the Right Questions?

Why Senator Mudashiru Husain remains the most competent choice for Osun governorship

Yiaga Africa statement on the proposed bill for compulsory voting in Nigeria

National Theatre Revival: Can Nigeria’s cultural icon rise again?

Pilgrimage is spiritual, not tourism – NCPC

Stay Safe: SANParks urges tourists to follow wildlife safety rules
Opinion
Why Nigeria needs the All-Nigeria Rotary Peace Summit
Published
1 week agoon
November 3, 2026
The All-Nigeria Rotary Peace Summit will examine how good governance, justice and equity can help Nigeria build lasting peace
Related
Entertainment
Reel Momentum: Nollywood Releases That Defined Q3
Published
3 weeks agoon
October 21, 2026
By Olayinka Akanbi
The third quarter of 2026 offered a clear picture of where Nollywood stands today. Across July, August and September, filmmakers told stories centred on family, culture, history, identity and everyday life.
Some films looked inward at personal struggles, while others drew from folklore, real-life events and Nigeria’s past.
Also read: Orlando Owoh Music Festival Set for November 7 in Lagos
There were also signs of change in how films are distributed, with streaming platforms increasing their investment in original content.
July was defined by personal, character-driven stories.

One of the standout releases was Alechenu, directed by Biodun Stephen, which followed the journey of an autistic teenager travelling from Oyo State to Lagos in search of the mother he had never met.
The film explored themes of family, identity and perseverance through a simple yet emotional narrative.
Around the same period, Lami focused on the life of a retired soldier grappling with the emotional effects of war, examining trauma, healing and second chances through the experience of one man trying to rebuild his life.

Another notable release, The Return of Omotara Johnson, marked the return of veteran actress Bukky Wright in a crime drama centred on family secrets and unresolved past conflicts.

Later in the month, films such as Wire Wire and Njem: The Journey continued the trend of storytelling rooted in real-life experiences and social issues.
In August, attention shifted towards history, tradition and culture.

The month opened with Sweet 16, a coming-of-age family drama that also drew attention as one of the final completed performances by the late actor Alexx Ekubo.
This was followed by Ikenga: The Last Festival, a story centred on tradition, power and destiny, featuring veteran actors Pete Edochie and Patience Ozokwor.

Released around the same period, Aláhùn (The Weaver) drew heavily from Yoruba mythology and folklore, highlighting a growing interest in indigenous narratives and local fantasy storytelling.

Towards the end of the month, King Kosoko revisited the life of one of Lagos’ most influential historical rulers, reflecting a broader shift by filmmakers towards exploring Nigeria’s history on screen.
By September, the conversation had expanded beyond storytelling to include audience engagement and distribution models.

One of the month’s notable releases was Mama Deola’s Wedding Story, which became the first original production from Nigerian streaming platform Kava. Its release underscored the increasing role of local streaming services in shaping the industry.
Other films focused on contemporary life and younger audiences.
Ordinary People examined the lives of everyday Nigerians, while 19 explored themes of identity, ambition and relationships from a youthful perspective.
One Gidi Night captured the rhythm and character of Lagos, using the city itself as a central narrative element.
The month also saw the release of Black Market, which generated widespread attention due to efforts to stage a Guinness World Record attempt for the largest film screening audience at Tafawa Balewa Square in Lagos.
Taken together, these releases reflect an industry in transition one that is expanding its storytelling range while experimenting with new platforms, audiences and formats.
Also read: Orlando Owoh Music Festival Set for November 7 in Lagos
Nollywood is not only telling more stories; it is also redefining how those stories are created, distributed and experienced.
Related

By Victor Ojelabi,
The Rotary Foundation has recognised the polio eradication efforts of Rotary International District 9112 under Immediate Past District Governor Lanre Adedoyin, following the District’s transfer of District Designated Funds to the PolioPlus Fund during the 2025 to 2026 Rotary year, a contribution acknowledged recently, as part of the global funding effort to protect children from the disease.
Also read: Rotary Club of Lagos Strengthens Traders With Fresh ₦6m Business Grant
The recognition brings a fitting international dimension to a Rotary year in which Adedoyin, a lawyer and member of the Rotary Club of Surulere South, repeatedly placed polio eradication among District 9112’s major humanitarian priorities across Lagos and Ogun states.
In a message addressed to District 9112, The Rotary Foundation thanked the District for committing its District Designated Funds to the campaign, saying the collective support from Rotary districts helped the organisation reach its fundraising target and secure matching funds that translate into US$150 million for polio eradication.
“Your support helped Rotary reach our goal and secure the matching funds that translate into US$150 million toward eradicating polio,” the Foundation said.
The money has consequences far beyond the balance sheet.
According to the Foundation, polio funding supports frontline workers taking vaccines into remote communities, environmental surveillance capable of detecting the virus in wastewater and programmes designed to interrupt transmission in affected areas.
The Foundation said the continuing effort was particularly important in Afghanistan and Pakistan, the only two countries where wild poliovirus remains endemic.
That assessment is consistent with Rotary International’s latest account of the global campaign.
Rotary says its partnership with the Gates Foundation generates up to US$150 million annually for polio eradication, with Rotary raising US$50 million and the Foundation providing a two-to-one match.
The money supports vaccine procurement, social mobilisation, outbreak response, surveillance and other operational requirements.
Rotary’s involvement stretches back decades. Its first polio vaccination project began in the Philippines in 1979, and the organisation became a founding partner of the Global Polio Eradication Initiative in 1988. Since then, global polio cases have fallen by 99.9 per cent.
For Nigeria, the story carries particular resonance.
The country recorded its last case of wild poliovirus in Borno State in August 2016.
Four years later, the World Health Organisation African Region was formally certified free of wild poliovirus, leaving Afghanistan and Pakistan as the remaining countries with endemic transmission.
That historic achievement, however, did not mean the end of the polio challenge in Nigeria.
Circulating vaccine-derived poliovirus can still emerge in communities with low immunisation coverage, making vaccination and surveillance essential even in countries that have eliminated wild poliovirus.
It was against that backdrop that the IPDG’s polio drive developed during the 2025 to 2026 Rotary year.
Adedoyin, who became the second District Governor of District 9112 following the division of the former District 9110, had signalled early in his tenure that healthcare would remain a central part of the District’s service programme.
His installation in Lagos in July 2025 marked the beginning of a year that subsequently combined fundraising with grassroots advocacy and support for health workers.
By September 2025, the District had held a PolioPlus seminar at which Adedoyin warned against complacency simply because wild poliovirus had disappeared from Nigeria. District records show that the campaign remained prominent in its programme in the months that followed.
In October, Districts 9111 and 9112 took the End Polio Now message beyond conventional conference halls with a joint train journey from Lagos to Abeokuta.
Led by Adedoyin and then District 9111 Governor Henry Akinyele, alongside Nigeria National PolioPlus Committee Chairman Joshua Hassan and other Rotary leaders, the initiative turned the train journey into a public awareness campaign for polio eradication.
District 9112 also took the message to communities in Ogun State, including a roughly 10-kilometre Keep Polio @ Zero awareness walk in Sagamu aimed particularly at encouraging parents and guardians to ensure that children receive their vaccinations.
In Lagos, the campaign moved from advocacy to practical support.
District 9112 donated 100 pairs of rain boots and 200 raincoats to the Lagos State Primary Health Care Board in October 2025 to assist health personnel working on polio eradication during the rainy season. The intervention was valued at about ₦1.6 million.
Adedoyin made the District’s position clear at the presentation.
“Our commitment to ending polio is absolute,” Adedoyin said. “We will continue working with the Lagos State Government and our partners until polio is completely wiped out.”
Another significant moment came towards the end of his tenure.
In June 2026, District 9112 announced that it had raised US$13,000 through the World’s Greatest Meal initiative for The Rotary Foundation’s PolioPlus Fund.
The contribution was described by World’s Greatest Meal Committee Chairman Tokunbo Opanubi as one of the highest recorded by the District through the initiative.
The US$13,000 contribution is separate from the District Designated Funds now acknowledged by The Rotary Foundation.
Together, however, the initiatives illustrate the different channels through which District 9112 supported the global eradication campaign during Adedoyin’s tenure.
District Designated Funds form part of The Rotary Foundation’s funding system and allow Rotary districts to direct portions of avail

IPDG Lanre Adedoyin with wife at a Rotary event recently
able Foundation resources towards eligible programmes.
PolioPlus is one of the avenues through which districts can deploy such resources in support of Rotary’s eradication objective.
The Foundation’s latest acknowledgement therefore adds another layer to District 9112’s polio record for the 2025 to 2026 year.
It also demonstrates the multiplier effect behind Rotary’s funding model.
A contribution originating from clubs and districts can ultimately support a much larger global pool used for vaccines, surveillance, community mobilisation and the difficult task of reaching children in areas affected by conflict, insecurity or geographical isolation.
The stakes remain considerable.
Polio is a potentially fatal infectious disease that primarily affects young children and can invade the nervous system, causing irreversible paralysis.
Although its global footprint has been reduced dramatically, Rotary cautions that eradication requires sustained vaccination and surveillance until transmission has been stopped everywhere.
The Foundation’s message to District 9112 captured that unfinished mission.
It thanked the District for supporting the PolioPlus Fund and helping move the world closer to the point where “no child is threatened by this disease ever again”.
For Adedoyin, who handed over the governorship of District 9112 at the end of the 2025 to 2026 Rotary year, the recognition offers a powerful postscript to a year in which the District’s contribution was measured not only in fundraising figures, but also in public advocacy, community mobilisation and support for those working closest to vulnerable children.
Also read: Rotary Club of Lagos Strengthens Traders With Fresh ₦6m Business Grant
And for District 9112, the acknowledgement connects a local Rotary story from Lagos and Ogun states to a much larger global ambition: ensuring that the final cases of polio become part of history rather than the beginning of another outbreak.
Related

Chinese Community Adds Global Colour to Lagos Gele Festival

Why Nigeria needs the All-Nigeria Rotary Peace Summit

Pasuma, Malaika Headline Star-Studded Owode Ifa Festival
Trending
Culture4 years agoThe Four Igbo Market Days and Their Significance In Omenala ÌGBÒ
Business4 years agoOoni of Ife Discusses Business and Peace Initiative in Kenya
Events4 years agoGlamour, glitz as B’obagunwa Omo’ba Obinrin Akile Ijebu celebrates New Year party (Photos)
Culture4 years agoOutrage as Ezendigbo of Ibadanland confers chieftaincy title on Olubadan
Events4 years agoOnitoomu of Ito-Omu installs two new chiefs (Video, Photos)
Events2 years agoEgbe Bobasete: The New Fashion Sensation Elevates 2024 Ojude Oba Festival (Video, Photos)
Events3 years agoNANTAP Convention 2023: Reshaping Nigerian Theatre Arts for economic growth
Paranormal4 years agoBlack Cat Superstition: Good and Bad Luck Beliefs
















